National Gallery
Detailed Involvements
Events with rich location context
The National Gallery is referenced as the source of potential prints for the Oval; its mention supplies cultural legitimacy and normal administrative options the President might tap to humanize the office.
Evocative and cultured in imagination — conjures quiet galleries and prestigious loans.
Source/provider of artwork and institutional prestige invoked during the art-selection conversation.
Represents continuity, national culture, and the softer instruments of presidential image-making.
Public institution with formal loan processes — implied constraints on what can be borrowed.
The National Gallery is referenced as the provenance for the offered prints, functioning narratively to emphasize the cultural legitimacy of Oval decorations and to contrast aesthetic concerns with the grubby realities of political scandal.
Mentioned only as a reputable repository of art — lends a genteel, institutional aura to the early exchange.
Source of potential loaned artwork for the Oval Office; an origin point for the prints being discussed.
Represents national culture and the softer side of statecraft that is threatened by political crises.
Implied institutional loan processes; not directly entered during the event.
Events at This Location
Everything that happens here
In a domestic, slightly comic beat in the Oval, Mrs. Landingham and President Bartlet bicker over which museum prints to hang — a small, human moment that exposes his charm …
In a flashback inside the Oval, a domestic, almost banal moment—Bartlet and Mrs. Landingham picking art while he grumbles about signing opaque executive orders—is ruptured when Leo arrives and C.J. …