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Object
Object

Presidential Armored Motorcade (Limousines)

Armored presidential limousines: a tight formation of heavy, dark sedans and limousines with deep-tinted windows and muted chrome, operated by the Secret Service as the President's immediate protective carriage. In scenes, characters use these vehicles as instant shelter, boarding and sheltering the President and staff during attacks and emergency evacuations. Includes instances where the limousines are staged at driveways or curbs.
10 appearances

Appearances in the Narrative

When this object appears and how it's used

10 moments
S1E16 · 20 Hours in L.A.
Motorcade Briefing — Flag Amendment & Voucher Town Hall

The presidential motorcade functions as the physical locus of the event: moving security bubble, a visual signifier of power and separation that carries the President between two politically explosive engagements while amplifying the sensation of an unrelenting schedule.

Before: Assembled and in motion along Sepulveda Boulevard, engines running, Secret Service posture implied.
After: Continues en route toward Orange County, maintaining its role as conveyance and mobile fortress as the schedule unfolds.
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S1E22 · What Kind Of Day Has It Been
Bartlet Sidesteps the Schedule for a Softball Night

The motorcade car(s) are referenced as the immediate destination and temporal pressure point—Mrs. Landingham scolds the President for missing the car and Bartlet promises to be 'at the car in just a second', making the vehicles the practical threshold between private Oval banter and public movement.

Before: Awaiting occupants just outside the Outer Oval/portico, engines idling and ready for departure.
After: Still staged for departure; the President indicates intent to enter shortly, but tactically the car becomes the point Leo will use to continue reviewing briefs.
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S1E11 · Lord John Marbury
Midnight Briefing — 300,000 in Kashmir

The presidential motorcade cars are invoked rhetorically by Bartlet to illustrate how pervasive modern surveillance is—the motorcade's movement would be visible to weather satellites—underscoring the absurdity of missing a 300,000‑troop buildup.

Before: Presidential motorcade exists as a standing reality (staged or on call) but not actively moved in scene.
After: Remains an invoked example and a rhetorical device highlighting surveillance visibility; no physical change in possession is described.
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S1E11 · Lord John Marbury
Missed Warning — Bartlet Confronts Intelligence and Activates Crisis Task Force

Bartlet uses the motorcade (and its satellite visibility) as a rhetorical prop to make a point about how observable large movements are—arguing that 300,000 troops could not be clandestine, underscoring planning and intelligence failure.

Before: An abstract, referenced example of presidential transport visibility; not physically present in the room.
After: Remains a rhetorical device in the President's argument highlighting surveillance transparency and institutional embarrassment.
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S1E22 · What Kind Of Day Has It Been
Softball Excuse, Suspicious Watcher

The nearby car functions as Ron's practical anchor for movement; his command 'Straight to the car' uses the vehicle as an operational node to end the public interaction and move the President and staff to a controlled environment, implicitly promising shelter and transport.

Before: Parked/available curbside near the Newseum, positioned for immediate boarding (implied by Ron's command).
After: About to be approached/boarded; remains the designated conveyance and shelter for the President's party.
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S1E12 · He Shall, From Time To Time...
Quiet Victory — Marbury's Send‑Off

A line of presidential motorcade cars exists as the immediate mechanism for the President's next movement; Charlie's announcement that the motorcade is ready converts the room's emotional reset into kinetic momentum toward the next official act.

Before: Idling and ready outside the Mural Room; prepared for departure.
After: Awaiting the President's departure; primed to move once the President and staff exit the room.
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S1E12 · He Shall, From Time To Time...
Laurels and Launch

The presidential motorcade is invoked by Charlie as immediately ready; narratively it converts the room's convivial pause into urgent motion, anchoring the transition from rehearsal to public performance.

Before: Standing by outside, prepared but not yet called into action.
After: Activated by Charlie's announcement as the next stage in moving the President toward the Oval and the State of the Union.
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S1E22 · What Kind Of Day Has It Been
Bypassing the Rope Line: Ron Shields the President's Downtime

The presidential motorcade cars function as the immediate refuge and planned egress: Ron's order 'Straight to the car' makes them the focal means of evacuation, a rolling sanctuary that supersedes the ceremonial audience interaction.

Before: Idling curbside and ready to receive the President and party as part of normal protective protocol.
After: About to be approached for boarding and to be used for immediate egress, their role switching from passive presence to active evacuation asset.
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S1E22 · What Kind Of Day Has It Been
Rope Line Routine — Gina's Alarm

The Presidential Motorcade Cars (limos) serve as the immediate refuge and target destination for the protective formation; Gina escorts Zoey to a limo, and the party moves 'out to the limos' which become the physical promise of safety and the endpoint of the egress.

Before: Idling on the curb outside the Newseum, engines running, positioned for immediate boarding.
After: In the process of being boarded by Zoey and the President's party; poised to depart as security response escalates.
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S1E22 · What Kind Of Day Has It Been
Gina's Slow‑Motion Alarm

The Presidential motorcade cars/limos provide the immediate egress point; Gina escorts Zoey toward one, and Bartlet and staff move toward the cars, making the vehicles the narrative refuge and the practical objective of any security maneuver.

Before: Idling on the curb outside the Newseum, engines humming, positioned for quick boarding.
After: Zoey is escorted to a limo; cars remain staged as the likely evacuation route as the scene cuts to the title — their role as refuge is implied but not completed in-scene.
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