Fabula
S1E10 · In Excelsis Deo

Toby Finds His Donated Coat on a Dead Marine

At the Korean War Memorial Toby follows up on a coroner tip and stands over a blanket-covered body. A D.C. officer reveals the man is Walter Hufnagle and that Toby's business card was in the coat — the same coat Toby once donated to Goodwill. Toby notices a Marine tattoo and realizes the dead man is a Korean War veteran. The officer's casual indifference and the body’s unattended status transform this coincidence into a moral summons: Toby is personally implicated and compelled to fight for the man's dignity and proper honors.

Plot Beats

The narrative micro-steps within this event

3

The officer reveals the deceased man's face and asks Toby if he recognizes him, to which Toby responds negatively.

confusion to discomfort

The officer provides the deceased man's name, Walter Hufnagle, and mentions an expired driver's license from 1973, but Toby still doesn't recognize him.

discomfort to bewilderment

The officer reveals that the deceased had Toby's business card, leading Toby to realize the man was wearing his donated coat.

bewilderment to realization

Who Was There

Characters present in this moment

3

Casual and perfunctory on the surface; emotionally distant and constrained by departmental triage priorities.

Stationed at the bench as the on‑scene D.C. officer: he exposes the man's face, reads the expired license aloud, extracts and announces Toby's business card, covers the body again, and treats removal/notification as routine low priority.

Goals in this moment
  • Follow police protocol for an unattended death and keep the scene under minimal supervision.
  • Defer further action to ambulance/coroner/dispatch without escalating or delaying other duties.
Active beliefs
  • This is a non‑criminal unattended death and should be handled by routine municipal procedures.
  • Resource triage matters: this does not merit immediate, extraordinary response.
Character traits
procedural terse bureaucratically detached pragmatic
Follow Washington, D.C. …'s journey

Troubled and quietly determined — initial bewilderment gives way to dawning responsibility and indignation at institutional indifference.

Approaches the scene, identifies himself as Toby Zeigler, inspects the blanket‑covered man, recognizes his donated coat and the business card, points out the Marine tattoo, and reacts with mounting comprehension and moral discomfort.

Goals in this moment
  • Determine who the man is and why the coat with his card is on him.
  • Ensure the deceased veteran receives proper recognition and that appropriate agencies (V.A./military) are notified.
Active beliefs
  • Personal traces (my coat, my card) create moral obligation.
  • Institutions (coroner, police, V.A.) ought to care for veterans and the dead, and failure to do so needs correction.
Character traits
moral clarity meticulous observer privately alarmed responsible/compelled
Follow Toby Ziegler's journey

Physically inert; emotionally present only as the silent evidence of civic neglect and the past service he represents.

Lying on the bench covered by a blanket and wearing Toby's donated coat; identified by an expired license and a Marine tattoo. He functions as the silent focal point whose anonymity and military service catalyze Toby's moral response.

Goals in this moment
  • By implication: to be recognized for service and to receive dignity in death.
  • To function as a catalyst for others' responsibility (i.e., compel the living to act with honor).
Active beliefs
  • Had he lived: military service confers entitlement to recognition and benefits.
  • In death: being on a memorial bench should awaken civic obligations in passersby.
Character traits
anonymous weathered neglected symbolically dignified (by tattoo/bench location)
Follow Walter Hufnagle …'s journey

Objects Involved

Significant items in this scene

6
Walter Hufnagle's Driver's License (expired 1973)

The expired driver's license is produced as primary documentary identification: the officer reads 'Hufnagle, Walter' aloud, supplying the dead man's name and anchoring the scene in concrete personal history.

Before: In the deceased man's possession (pocket) attached to …
After: Removed or observed by the officer as part …
Before: In the deceased man's possession (pocket) attached to his person under the blanket.
After: Removed or observed by the officer as part of the scene's identification evidence and remains with the body pending coroner/ambulance retrieval.
Toby Ziegler's Business Card

Toby's business card, found inside the donated coat, functions as the narrative linchpin connecting the White House aide to the anonymous corpse. The officer announces it, which shifts the encounter from incidental to personally implicating for Toby.

Before: Tucked in the donated coat pocket (previously carried …
After: Removed or noted by the officer and used …
Before: Tucked in the donated coat pocket (previously carried by Toby, later donated to Goodwill), then in the deceased's coat pocket.
After: Removed or noted by the officer and used to identify Toby as someone connected; remains as evidentiary provenance.
D.C. Park Ambulance

The D.C. Park Ambulance is referenced as the routine removal vehicle that will take the body away; its mention underscores municipal procedure and the officer's low‑priority handling of the scene.

Before: Not present at the immediate scene; expected to …
After: Implied to arrive later to remove the body; …
Before: Not present at the immediate scene; expected to be dispatched in response to the unattended body.
After: Implied to arrive later to remove the body; not depicted actively loading the corpse during this event.
Blanket covering Walter Hufnagle's body

A pale blanket initially conceals the deceased body; the officer pulls it back to reveal the man's face and later replaces it. It operates narratively as a physical veil that, when lifted, forces the characters (and audience) to confront death and anonymity.

Before: Draped over the prone body on the bench, …
After: Briefly pulled back to show the face and …
Before: Draped over the prone body on the bench, obscuring identity.
After: Briefly pulled back to show the face and then drawn again to re‑cover the body while the officer awaits removal.
Korean War Memorial Bench (site of Walter Hufnagle's death)

The weathered memorial bench is the physical site where the deceased lies and where the interaction happens. It anchors the scene in public space and contrasts ceremonial memory with present neglect.

Before: Occupied by the blanket‑covered, deceased man wearing the …
After: Still holds the body until ambulance removal; a …
Before: Occupied by the blanket‑covered, deceased man wearing the donated coat.
After: Still holds the body until ambulance removal; a focal point for Toby's lingering gaze as he walks away.
Walter Hufnagle's Coat (Toby's Goodwill Donation)

The overcoat Toby donated is physically on the deceased and narratively transforms from a private possession into the connective tissue that obliges Toby: it proves a chain of custody from donor to Goodwill to the dead veteran.

Before: Previously owned by Toby and donated to Goodwill; …
After: Remains on the deceased as the body waits …
Before: Previously owned by Toby and donated to Goodwill; in the possession of the deceased at time of discovery.
After: Remains on the deceased as the body waits for ambulance removal and as a material clue linking Toby to the man.

Location Details

Places and their significance in this event

2
Korean War Memorial (Korean War Veterans Memorial, Washington, D.C.)

The Korean War Memorial frames the whole encounter: monuments, benches and early morning visitors create a ceremonial context that heightens the shame of an unattended veteran's death and compels a moral response from Toby.

Atmosphere Reverent yet chilled — morning hush, muted footsteps, and the contrast between formal memoriality and …
Function Public memorial setting that turns a random death into a moral and civic problem needing …
Symbolism Embodies the tension between national honor (memorialized sacrifice) and contemporary neglect of veterans; highlights institutional …
Access Open to the public but informally monitored by park/police presence.
Early morning light over granite monuments Frost/crisp ground underfoot and hush of visitors Scattered benches and an information stand
Bench at Korean War Memorial (scene-specific memorial bench)

The specific memorial bench is the immediate stage for discovery: a worn, public seat that holds the body and anchors the officer's brief examination and Toby's dawning moral urgency.

Atmosphere Intimate, exposed, and quietly awful — a small, public stage for private indignity.
Function Site of discovery where physical evidence (coat, card, license, tattoo) is read and interpreted.
Symbolism Represents marginalization: the seat of remembrance is literally occupied by a forgotten man, turning memorial …
Access Open to passersby and park personnel; not cordoned as a crime scene.
Blanket covering the body Donated overcoat draped against the bench Officer standing guard and occasional murmurs from visitors

Narrative Connections

How this event relates to others in the story

No narrative connections mapped yet

This event is currently isolated in the narrative graph


Key Dialogue

"OFFICER: "He also had your business card.""
"TOBY: "Well, that's my coat. I gave that coat to the Goodwill. There must have been a...""
"TOBY: "[points] Tattoo on his forearm is Marine Battalion Second of the Seventh. This guy was in Korea.""