Drawing the Line — Bartlet Refuses the Pose
Plot Beats
The narrative micro-steps within this event
Bartlet loses patience, shouting at Marcus for crossing a line with Josh Lyman.
Bartlet delivers a final, forceful argument that presidential intervention would hurt, not help, gay rights.
Marcus concedes, affirming trust in Bartlet, easing the confrontation.
Bartlet and Marcus exchange weary, honest remarks about exhaustion, closing the conversation.
Who Was There
Characters present in this moment
Controlled exhaustion that breaks into righteous anger and paternal protectiveness; weary but unyielding conviction in his political judgment.
President Bartlet holds firm against a donor's demand, moves from quiet refusal into an explosive, disciplined rebuke. He defends staff (explicitly Josh), explains strategic reasoning, and forces Marcus to relent while exposing the political consequences of a public gesture.
- • Prevent the President's name from injecting a divisive issue into national debate
- • Protect Josh Lyman and the integrity of his staff
- • Maintain message discipline and avoid politically harmful symbolism
- • Preserve working relationship with a donor without ceding strategic control
- • Public discussion by the President will politicize and harm the cause of gay rights
- • As President he must manage optics and timing; symbolic gestures can have real policy consequences
- • Donor pressure should not dictate executive decisions
- • Protecting staffers is part of his duty and political prudence
Initially assertive and performative, then chastened and conciliatory; anxious to satisfy his guests while unwilling to be publicly seen as outmaneuvered.
Ted Marcus asserts donor leverage — invoking a 'large microphone' — and demands a public veto threat; when confronted with Bartlet's strategic refusal and moral force, he backpedals, expresses trust, and attempts to smooth the relationship.
- • Secure a public gesture to reassure his donor guests
- • Demonstrate influence and maintain control over fundraising optics
- • Preserve his relationship and access to the President
- • Avoid embarrassment among his peers
- • Public symbolic gestures reassure and control donor communities
- • His platform (microphone, events) can bend political behavior
- • A personal public repudiation from the President would satisfy his hosts and secure loyalty
- • Political actors respond to visible demonstrations of support or opposition
Objects Involved
Significant items in this scene
Ted Marcus invokes the 'large microphone' as a figurative and literal instrument of public pressure — signaling that he can turn private dissatisfaction into public spectacle. The microphone functions as leverage and threat: it represents media amplification and donor influence that Bartlet refuses to let dictate tactical choices.
Location Details
Places and their significance in this event
The NSC Evacuation Plane is referenced by Bartlet as context for his fatigue — he mentions sleeplessness and keeping staff awake on an early‑morning flight. The plane is not present but functions narratively to explain his weariness and the continuity pressures weighing on him.
Narrative Connections
How this event relates to others in the story
"Marcus's initial ultimatum to Josh escalates into a direct confrontation with Bartlet, demanding a public veto threat against the anti-gay bill."
"Marcus's initial ultimatum to Josh escalates into a direct confrontation with Bartlet, demanding a public veto threat against the anti-gay bill."
"Zoey's frustration over lost normalcy and Bartlet's paternal concern are mirrored in the weary, honest remarks about exhaustion shared between Bartlet and Marcus."
"Zoey's frustration over lost normalcy and Bartlet's paternal concern are mirrored in the weary, honest remarks about exhaustion shared between Bartlet and Marcus."
"Marcus's concession and affirmation of trust in Bartlet echo the mutual respect concluded in Bartlet's call with Hoynes, both resolving confrontations with dignity."
Part of Larger Arcs
Key Dialogue
"BARTLET: "Because I know what I'm doing, Ted! Because I live in the world of professional politics, and you live in the world of adolescent tantrum! Don't you ever slap Josh Lyman around again. That guy is the White House Deputy Chief of Staff. He's not one of your associate producers.""
"BARTLET: "Right now, right this second, the worst thing that could possibly happen to gay rights in this country is for me to put that thing on the debating table, which is happens the minute I open my mouth. Do you get that? I'm a human starting gun, Ted. You got to trust me! I know what I'm doing.""
"MARCUS: "I trust you, Mr. President.""