Fabula
S2E22 · Two Cathedrals

Bartlet's Storm-Fueled Cry and Spectral Reckoning with Landingham

Amid thunderous storm chaos mirroring his turmoil, President Bartlet calls desperately for his late secretary Mrs. Landingham as wind blasts open the veranda door. Her resolute apparition enters, gently chiding his intercom ignorance before he confesses his hidden MS diagnosis. She dismisses his self-pity and divine rage over her death, counters his party woes by invoking his father's flaws, and propels a rapid-fire exchange of devastating U.S. social statistics—poverty, uninsured, homicide, incarceration, addiction—transforming grief into galvanized resolve. This hallucinatory turning point excavates Bartlet's vulnerability, reframes loss as moral imperative, and pivots him toward reelection defiance.

Plot Beats

The narrative micro-steps within this event

1

Bartlet, overwhelmed by grief and frustration, calls out for Mrs. Landingham as the storm rages outside, symbolizing his inner turmoil.

frustration to desperation ['Oval Office']

Who Was There

Characters present in this moment

3
C.J. Cregg
primary

Professionally composed amid underlying exhaustion

Exits the Oval Office promptly as Bartlet closes the heavy door behind her, ceding the intimate space to his solitary storm of grief and impending spectral confrontation, her departure marking the pivot from communal crisis management to presidential personal reckoning.

Goals in this moment
  • Respect Bartlet's need for privacy during his turmoil
  • Transition briefing duties to allow his introspection
Active beliefs
  • Bartlet requires space to process grief privately
  • White House crises demand compartmentalized emotional responses
Character traits
dutiful discreet
Follow C.J. Cregg's journey

Stern compassion laced with unyielding resolve

Enters through the storm-blown door small and resolute, chides Bartlet for shouting instead of using the intercom, absorbs his MS confession with wry acknowledgment, rebukes self-pity and rage at God over her death, counters party abandonment by invoking his father's flaws, and drives rapid-fire recitation of devastating social statistics to reframe his despair as privilege amid national suffering.

Goals in this moment
  • Shatter Bartlet's self-indulgent grief and redirect it toward duty
  • Galvanize his commitment to reelection by highlighting greater societal woes
Active beliefs
  • Personal tragedies pale against systemic national failures demanding action
  • Divine will operates beyond random accidents like her death
Character traits
resolute maternal tough-loving morally unyielding prophetic
Follow Dolores Landingham's journey

vulnerable

Closes door behind C.J., leans on desk amid storm chaos, desperately calls for Mrs. Landingham, expresses disbelief at her apparition, confesses hidden MS diagnosis, admits lack of popularity in Democratic Party, engages in rapid-fire exchange of U.S. social statistics on poverty, uninsured, homicide, incarceration, addiction.

Goals in this moment
  • confess MS diagnosis and political insecurities
  • seek reassurance and absolution from grief
Character traits
protective resolute self-aware principled
Follow Josiah Bartlet's journey

Objects Involved

Significant items in this scene

1
Oval Office Veranda Door

Savage winds violently hurl the veranda door wide open, unleashing torrential rain that floods the Oval Office and mirrors Bartlet's inner chaos, prompting his desperate call for Landingham; it swings open again to admit her apparition, serving as a chaotic atmospheric catalyst that blurs reality and hallucination while amplifying the scene's emotional tempest.

Before: Closed, containing the storm outside
After: Repeatedly blown open, admitting rain and apparition, chaotic …
Before: Closed, containing the storm outside
After: Repeatedly blown open, admitting rain and apparition, chaotic and unlatched

Organizations Involved

Institutional presence and influence

1
Democratic Party

Invoked in Bartlet's confession of unpopularity and reluctance to support his reelection amid MS secrecy, framed as a disloyal force pressuring his political viability; Landingham counters with assurance of their inevitable return, positioning the party as a recoverable but fractious ally in his path toward defiant candidacy.

Representation Through direct dialogue referencing institutional sentiment and loyalty dynamics
Power Dynamics Exerting indirect political pressure on Bartlet, challenged by his personal resolve and Landingham's counsel
Impact Highlights fractures in Democratic loyalty, testing Bartlet's command amid health concealment and grief
Internal Dynamics Factional chill toward Bartlet due to MS fallout and low polls
Prioritize electable candidates amid perceived Bartlet weaknesses Maintain party unity and fundraising viability Leveraging popularity metrics and internal strategizing Withholding endorsement to coerce leadership shifts

Narrative Connections

How this event relates to others in the story

What led here 1
Character Continuity medium

"Young Mrs. Landingham's playful yet pointed critique of Jed's actions echoes in her ghostly dismissal of Bartlet's self-pity, both moments where she refuses to let him off the hook."

Young Mrs. Landingham Exposes Gender Pay Gap to Jed
S2E22 · Two Cathedrals
What this causes 2
Character Continuity

"Mrs. Landingham's challenge to Bartlet to focus on national issues over personal grief mirrors her past insistence that he confront systemic injustices, reinforcing her role as his moral compass."

Mrs. Landingham's Spectral Ultimatum Sparks Bartlet's Resolve
S2E22 · Two Cathedrals
Character Continuity

"Mrs. Landingham's challenge to Bartlet to focus on national issues over personal grief mirrors her past insistence that he confront systemic injustices, reinforcing her role as his moral compass."

Bartlet's Rain Baptism and Staff Solidarity
S2E22 · Two Cathedrals

Key Dialogue

"BARTLET: "Ah... Damn it! Mrs. Landingham!""
"BARTLET: "I have MS, and I didn't tell anybody.""
"MRS. LANDINGHAM: "God doesn't make cars crash, and you know it. Stop using me as an excuse.""