Pluie Pitch — Wolves-Only Roadway vs. Political Reality

In the Roosevelt Room a conservation group stages a theatrical pitch, projecting images of Pluie the wolf to argue for an 1,800-mile, wolves-only roadway from Yellowstone to the Yukon. C.J. greets the spectacle with wry skepticism, trading jokes and practical barbs about ranchers, road signs and voter realities. The tone flips when the group reveals Pluie was recently shot by a rancher; C.J. uses the opening to ask the one brutal question politics answers — the price — and immediately rejects the $900 million proposal, proposing schools instead. The beat dramatizes idealism colliding with electoral pragmatism, showcases C.J.'s instincts and reframes advocacy as a political problem rather than a purely moral one.

Plot Beats

The narrative micro-steps within this event

2

A conservation group introduces Pluie the wolf to C.J. with an overhead projector, presenting her as a symbol of wildlife resilience.

curiosity to engagement ['Roosevelt Room with presentation setup']

The group reveals their $900M wolves-only roadway proposal, triggering C.J.'s sharp political skepticism.

amusement to incredulity

Who Was There

Characters present in this moment

7
C.J. Cregg
primary

Amusedly skeptical on the surface, quickly hardening into practiced professional detachment and moral arithmetic when grief and cost collide.

Sits at the table, alternates between sardonic jokes and sharp tactical questions, deflating idealism, asking the decisive fiscal question and rejecting the proposal in favor of a tangible alternative.

Goals in this moment
  • Test and puncture the rhetorical excess of the conservation pitch
  • Translate moral appeals into political feasibility (cost, electoral impact)
  • Protect the administration from impractical proposals
Active beliefs
  • Policy must be measured against cost and voter consequences
  • Moral appeals are insufficient without political plausibility
  • Messaging requires concrete, electorally resonant alternatives
Character traits
Wry Pragmatic Politically literate Dismissive of impractical idealism
Follow C.J. Cregg's journey

Measured and slightly reproachful; uses blunt facts to steer the conversation back toward policy realities.

Operates as the factual, clarifying voice: interjects specifics (including the revelation Pluie was shot) and asks the administration to consider budget numbers, acting as a sober counterpoint to theatricality.

Goals in this moment
  • Ensure factual clarity about Pluie's status and project costs
  • Prompt practical conversation about budgetary implications
Active beliefs
  • Clear facts force political reckoning
  • Advocacy must confront fiscal realities
Character traits
Factual Blunt Procedure-minded
Follow Roosevelt Room …'s journey

Quietly proud of the science, defensive when mocked, and chastened by the reveal of Pluie's death and C.J.'s dismissal.

Represents the collective scientific/advocacy team: supplies statistics about Pluie's migrations, outlines the technical scope of an 1,800‑mile corridor, and fields C.J.'s skeptical probes about logistics and politics.

Goals in this moment
  • Persuade decision-makers to consider corridor proposals
  • Frame scientific tracking as the basis for policy investment
Active beliefs
  • Data-driven conservation can justify large expenditures
  • Visibility in the Roosevelt Room advances advocacy goals
Character traits
Detail-oriented Idealistic Committed to evidence-based advocacy
Follow Conservation Scientists …'s journey

Lightly sardonic and politically alert; joining C.J.'s pragmatic frame.

Interjects briefly with supportive, pragmatic comments ('Perhaps, if we should...'), positioning himself as a political side voice and underscoring feasibility concerns.

Goals in this moment
  • Signal political costs and feasibility limits
  • Support messaging that protects the administration
Active beliefs
  • Political calculations trump pure advocacy
  • Leadership needs defensible, vote-minded choices
Character traits
Flippant Tactical Confrontational in tone
Follow Jerry Walters's journey

Operates as an image that intensifies the room's emotional register — from sentimental to darker, more complex stakes.

Projected as the next dramatic image (grizzly) after the conversation pivots; used symbolically by presenters to broaden stakes beyond Pluie and to reframe the pitch.

Goals in this moment
  • Serve as visual amplification of conservation stakes
  • Shift audience attention and moral tone
Active beliefs
  • Imagery can reframe debate
  • Visual drama is persuasive in political rooms
Character traits
Symbolic Visually arresting Rhetorical escalation
Follow Grizzly Bear's journey

Earnest conviction mingled with discomfort when political reality and grief intrude; subdued after revealing Pluie's death.

Acts as the public face of the pitch: narrates Pluie's migrations, presents the wolves-only roadway concept, and responds when C.J. challenges feasibility and cost, then bows as Pluie's death is revealed.

Goals in this moment
  • Secure White House sympathy and support for the roadway idea
  • Humanize Pluie to make the corridor emotionally persuasive
Active beliefs
  • Large-scale ecological solutions deserve bold public investment
  • Emotional storytelling can shift political calculations
  • Scientific evidence underwrites moral urgency
Character traits
Earnest Theatrical Passionate about conservation Slightly naive to political constraints
Follow Conservation Presenter …'s journey

Non‑speaking; as a projected subject, evokes tragic loss and moral urgency in others.

Appears only as projected imagery and story subject; functions as the emotive hinge when presenters reveal she was shot, converting abstract argument into human (animal) loss.

Goals in this moment
  • (As a symbol) Elicit empathy and moral pressure for policy action
  • Anchor the conservation argument in a singular story
Active beliefs
  • N/A (nonhuman symbol) — represented belief: individual stories can drive policy
Character traits
Symbolic Victim/anchor for advocacy Nonverbal narrative catalyst
Follow Pluie (tracked …'s journey

Objects Involved

Significant items in this scene

6
Roosevelt Room Projection Screen (matte white projection surface)

The white projection screen serves as the visual stage for Pluie's life and the wolves-only roadway renderings; it concentrates the presenters' theatricality and focuses C.J.'s reactions, turning images into political leverage.

Before: Set up and ready at the front of …
After: Still in place, now displaying the grizzly image …
Before: Set up and ready at the front of the Roosevelt Room, blank and awaiting slides.
After: Still in place, now displaying the grizzly image as the presenters pivot; its surface has hosted both emotional and ironic beats.
Roosevelt Room Overhead Projector (acetate transparencies)

The overhead projector physically delivers the wolf and grizzly images and the $900 million slide; its hum and looped visuals create the performative structure of the pitch and enable the presenters' rhetorical timing.

Before: Positioned on the table, plugged in and loaded …
After: Remains operational and continues projecting as the presentation …
Before: Positioned on the table, plugged in and loaded with acetate transparencies.
After: Remains operational and continues projecting as the presentation moves to the grizzly; unchanged but narratively charged.
Presentation Slide — Highway Overpasses (Wolves‑Only Roadway Proposal)

The highway overpasses image visually dramatizes the scale and infrastructure ambition of the wolves-only roadway, making the proposal tangible and inviting C.J.'s practical objections about signage and animal behavior.

Before: Included in the presenters' visual sequence and loaded …
After: Displayed briefly to emphasize scope; remains a speculative …
Before: Included in the presenters' visual sequence and loaded on the projector.
After: Displayed briefly to emphasize scope; remains a speculative image against which C.J. frames political reality.
Photo I.D. (Rhetorical Prop)

The photo I.D. exists here as a rhetorical prop, invoked in a joke about border controls when the US-Canadian border is mentioned, puncturing the pitch's solemnity with a moment of levity.

Before: Not physically present; mentioned as a conceptual gag …
After: Remains an off-stage rhetorical device that undercuts the …
Before: Not physically present; mentioned as a conceptual gag in dialogue.
After: Remains an off-stage rhetorical device that undercuts the presenters' gravitas.
Wolves-Only Roadway Cost Estimate (Roosevelt Room slide — $900M, S01E05)

An oversized slide with a bold "$900 million" headline is invoked/projectioned as the financial pivot; the figure provides the leverage for C.J.'s political rebuke and reframing of priorities toward schools.

Before: Prepared as part of the presenters' packet; ready …
After: Shown and instantly weaponized in political terms; verbally …
Before: Prepared as part of the presenters' packet; ready to be shown to justify costs.
After: Shown and instantly weaponized in political terms; verbally rejected by C.J. as an inappropriate taxpayer expense.
C.J.'s Nine Best Schools Allocation ($900,000,000)

C.J. invokes this alternative budget sheet — 'nine best schools' — as a counterimage to the $900 million price tag, reframing the conversation from ecological grandiosity to tangible domestic investment.

Before: Not part of the presenters' materials; exists only …
After: Used to decisively reject the project's priority; becomes …
Before: Not part of the presenters' materials; exists only as a rhetorical alternative posited by C.J.
After: Used to decisively reject the project's priority; becomes the conceptual winner of the debate.

Location Details

Places and their significance in this event

1
Roosevelt Room (Mural Room — West Wing meeting room)

The Roosevelt Room functions as an institutional stage where public advocacy meets executive practicality; its long table and projection setup create a forum where theatrical storytelling is processed through the lens of political cost and voter reaction.

Atmosphere Formally staged but conversational — the room shifts from mildly amused and theatrical to somber …
Function Stage for an advocacy pitch and administrative vetting; a site where moral appeals are converted …
Symbolism Embodies institutional power and the quotidian mechanics of policy-making, showing how moral drama is disciplined …
Access Informal White House meeting space — accessible to invited advocates and senior staff; not public.
A white projection screen dominates the room, lit by the overhead projector. Long polished table with presenters at one end and C.J. at the other; takeout mugs and papers implied but not described. Lighting is projection-driven, creating high-contrast faces and spotlighting images more than people.

Narrative Connections

How this event relates to others in the story

What this causes 2
Thematic Parallel medium

"Pluie’s death and C.J.’s emotional connection to it later influence her defense of wildlife."

Choosing Family — The Card and the Toast
S1E5 · The Crackpots and These Women
Thematic Parallel medium

"Pluie’s death and C.J.’s emotional connection to it later influence her defense of wildlife."

Josh Refuses the Evacuation Card — Choosing Staff Over Protection
S1E5 · The Crackpots and These Women

Key Dialogue

"MAN: The wolves-only roadway."
"WOMAN: Pluie was shot and killed by a rancher in British Columbia last month."
"C.J.: Just out of curiosity, how much would it cost?"