C.J. Cregg

Vigorously running on the treadmill next to the Gym Patron, she delivers an upbeat monologue on achieving normalcy through time budgeting, trails off as her pager activates, checks the device …

Initiates the scene’s tonal framing with a media‑minded, defensive question about the President's bicycle accident; seeks a line that humanizes and protects the President while signaling press sensitivity.

C.J. initiates light bicycle gaffe banter seeking spin advice, then intervenes to curb Josh's flippancy, warns against Guard deployment creating panic, aligning with humanitarian push while navigating press optics.

C.J. strides to podium amid fading whispers, calls for attention, delivers sprain briefing with spelled name and tree-crash detail, cues aides to distribute reports/photos, absorbs laughter, deflects Chris's question to …

C.J. walks assertively to the podium, calls for attention with 'Folks?', then delivers a deadpan briefing on Bartlet's mild ankle sprain from cycling into a tree, spelling Haymen's name, directing …

C.J. waves to Margaret upon entering, urgently briefs Leo on Nightline's East Asia slot and A3-C3 leak concerns, presses gently on Josh amid deflections, absorbs Leo's Presidential caveat with resigned …

C.J. enters the hallway amid waiting reporters, deflects their barrage with witty professionalism—limiting answers on Josh's gaffe and Presidential reaction—then pivots seamlessly as Toby intercepts, diagnosing Billy as the lead …

Warns Josh pre-meeting, greets warmly, suggests sitting twice, briefed Bartlet on 'hot tempers', tasked with escorting delegation out.

Greets delegation professionally, briefs on President's health, warns of hot tempers to Bartlet, suggests sitting but is overruled, tasked with showing group out post-ejection.

C.J. oscillates between self‑defense and jab: she apologizes for being distracted, then flings a politically loaded quip about Lloyd Russell and Josh's girlfriend, reopening private tensions while admitting her own …

Stands with staff during Bartlet's commanding address, acknowledges the rebuke implicitly by thanking with others and exiting toward press duties.

Follows Toby into the exchange, delivers blunt refusals news with weary directness, pins blame squarely on the joke, queries the interrupting staffer, and sardonically challenges Toby to engage the President …

C.J. bursts in announcing the press release and Ryder Cup decline, pins it squarely on the joke, fields Bartlet's schedule deflection, and presses on Texas losses, her urgent delivery catalyzing …

C.J. receives Toby's coaching in the doorway of her office, weighs rhetorical options aloud (Latin phrase, humor) and agrees to hold certain lines back while using humor selectively at the …

C.J. appears when Toby approaches, responds wryly to the suggested Latin headline, accepts Toby's advice about using humor and holding material back, and positions herself as the public face who …

Enters purposefully with Toby toward the podium amid settling reporters, launches affable birthday shoutout to Bobbi (via Suzanne correction), deftly parries Mike's probing on VP's A3-C3 quote with glance to …

Positioned at the podium, C.J. acknowledges Bobbi's birthday lightly before fielding Mike's pointed query on the VP's statement; she denies knowledge, questions 'strained,' pivots to a humorous Ryder Cup deflection …

C.J. appears in the hallway immediately after the confession, furious and verbally explosive; she embodies press-office heat, threatens Sam audibly, and refuses to let the matter remain private—signaling a direct …

C.J. appears on TV briefing golfers humorously to deflect Hoynes gaffe; later storms past in hall, declares intent to 'kill him,' ignores Josh's perimeter advice, accelerates away emitting a loud, …

C.J. forces her way into the vice presidential orbit, attempts a rapid, conciliatory brief about A3‑C3, and is publicly shut down; she stands exposed as Hoynes and his staff pull …

C.J. pursues the entourage apologetically, pitching a fix for the damaging quote while being repeatedly interrupted; she persists until Hoynes' sudden stop and cutting dismissal silences her, leaving her staring …

C.J. walks up, delivers logistical news about Leo's availability, answers Josh's pointed questions about a call with Hoynes, and repeatedly offers clipped reassurance ('We're fine') while exiting to allow the …

C.J. approaches with procedural news — Leo will be ready in thirty minutes — and responds tersely to Josh's probes about Hoynes with repeated, clipped reassurances ('We're fine'), signaling deliberate …

Already assembled in Leo's office for meeting, punctuates Mandy hiring announcement with sarcastic applause mocking Josh's role in her unemployment, remains silent otherwise as decision solidifies.

C.J. is present and adds a wry aside about Mandy's unemployment and Josh's credit; she stands inside the doorway, observes the negotiation, and then moves to her office as the …

C.J. pauses just inside the door at Leo's command, standing composed as she fields his questions with terse affirmations and deflections—'miscommunication, he's on board'—before swiftly exiting with 'I'll be in …

C.J. suddenly appears sitting on Josh's desk reading a newspaper, signaling impatience and authority; her entrance immediately reframes Donna's hint as a live problem and culminates in a sharp rebuke …

C.J. waits in Josh's office, calmly reading a newspaper on his desk before he arrives; when he enters she delivers a terse, scathing rebuke — 'Wow, are you stupid!' — …

C.J. aggressively advances on Josh after folding her newspaper, bluntly naming the call girl scandal, rebuts his defenses with Hard Copy optics, trades vicious gendered insults face-to-face, then storms out …

C.J. walks with Josh into the lobby, reacts with shock to Toby's account of the President snapping at the First Lady, acknowledges her knowledge of the call-girl issue when confronted, …

Greets Leo warmly, voices Toby's report of President's snapping, sits on couch as Sam enters; physically rebukes Josh's sarcasm with a kick, observes silently as threat discussion boils then operational …

C.J. lounges on the couch, observes the transcript revelation and Toby's tirade, physically rebukes Josh's sarcasm with a kick to the butt after Sam's laugh, maintaining poised presence amid escalating …

C.J. greets Leo warmly, settles on couch as Sam enters, supplies 90-minute network notice, kicks Josh's butt post-sarcasm to lighten mood, observes Toby's tirade silently, aligning with Leo's pivot without …

C.J. leads the rapid-fire operational checklist, confirming liaisons are primed while delivering a sharp, deflecting retort to Josh's dilemma and casually detaching Sam for a private sidebar, her poised authority …

C.J. walks purposefully with the team, affirming contact readiness, deftly answering Josh's query with deflection before halting the tally to issue a casual yet pointed private invitation to Sam, layering …

C.J. conducts the confrontation with clinical control: she dismisses the two staffers, questions Sam directly about his contact with a call girl, insists on the primacy of appearance for the …

C.J. presses for access to the President (requests minutes) and is told emphatically by Leo that she will be present; she is tasked implicitly with holding the line until the …

Unspecified staffers mill and hurry through the bullpen, creating a frantic background hum that amplifies the pressure on the principal communicators and underscores the urgency of message production.

A cohort of staffers move about the bullpen frantically: pacing, passing papers, and creating an agitated background that amplifies the urgency of redlining and phone triage.

Walks through the lobby under press siege, deflects questions with humorous misdirection and sarcasm about military meetings, then freezes in dismay at Danny's ambush by her office door before ushering …

Seated across her desk from Danny, C.J. delivers a passionate defense of Sam's character, rejects media judgment on his private life, warns of retaliation against cynics, answers a ringing phone …

Is told to 'look calm,' registers the count with wide-eyed disbelief, then begins mentally preparing messaging and containment while trying to control outward composure for optics.

C.J. is caught mid-exit, told by Josh the count — she goes 'buggy eyed' and struggles to maintain composure. Her shock becomes infectious: she visibly registers the political danger and …

C.J. supplies the communications answer — 'Financial disclosures' — positioning the press narrative; she balances practical bluntness with an eye for human interest and media cycles.

C.J. juggles food and messaging: she identifies the likely press narrative ('financial disclosures') and volunteers a tactical media vector, moving the brainstorm toward controlling public attention.

C.J. appears briefly at the open door, delivers a flippant, jokey line about borrowing $125,000 for lunch, then dissolves into laughter and walks away—an offhand intrusion that undercuts the gravity …

C.J. appears at the open door, delivering a breezy, flippant line asking to borrow $125,000. She laughs as she exits, treating the moment as light social banter while unintentionally puncturing …

C.J. stands at the podium, fields reporter questions with breezy humor, reframes awkward facts (the Armani gift, property increase) into punchlines, then publicly assigns the next briefing to Josh as …

C.J. participates in the playful examination of the choker, briefly affirms the political point about needing the VP, and otherwise plays the role of morale-keeper who trades flirtation and procedural …

C.J. endorses Josh's solution with a quick affirmative, signaling agreement from communications and aligning publicly with a high-profile fix, but she yields to Leo's refusal — a brief institutional voice …

C.J. hurries past Donna, intercepts Josh, and delivers an urgent aside: there is a New Yorker article about smallpox that Josh must read—introducing a piece of disturbing information into an …

C.J. moves quickly through the space, intercepts Josh with urgent, clipped informality, and delivers the New Yorker article's subject as a conversational half-joke that lands ominously — first framing (dessert …

Walks past Josh, notices his withdrawal, questions him bluntly and then insists they go back into the room; acts as the professional conduit trying to drag personal detachment back into …

C.J. notices Josh's blank stare, probes with concise questions and then, taking charge, physically guides and verbally insists he enter the briefing room, converting private concern into an operational decision.

C.J. exits the Press Room carrying papers, avoids direct eye contact, politely deflects Mandy's moral framing toward Toby, then issues a short tactical commitment — 'I'm in.' She punctuates the …

C.J. walks out carrying papers, listens without breaking stride, answers tersely that Mandy needn't worry about her and then delivers a concise 'I'm in' to close the ask; she uses …

Interrupts to steer the room back to procedure after the argument, acting as a communications-floor manager who recognizes the exchange's risk to message discipline.

C.J. participates by attempting to refocus the meeting and by providing the brief, formal acknowledgment when staff depart; she registers the room's tonal swings and helps usher the group back …

Sits at the table, alternates between sardonic jokes and sharp tactical questions, deflating idealism, asking the decisive fiscal question and rejecting the proposal in favor of a tangible alternative.

C.J. listens, teases, then methodically dismantles the romantic conservation pitch with sharp, politically literate questions; she laughs to deflate idealism, presses for cost and voter realities, and delivers the final …

C.J. receives Toby's ambush with a mixture of exasperation and professional calm, repeatedly deflecting his assertions and steering attention back to the schedule and optics of an upcoming briefing.

Enters carrying a glass of wine, knocks, then crosses the threshold to offer warmth and normalcy — invites Josh to join colleagues for chili, attempts to deflect and humanize his …

Enters with a glass of wine, knocks at the door when unanswered, tries to reinsert normalcy—offering chili, deflecting the worst of Josh's panic with pragmatic reassurance, and eventually exits after …

C.J. walks through the reception area, intercepts alarmist chatter, and uses wry statistical correction to puncture hysteria—delivering a composed, witty factual correction that immediately redirects the group's mood.

Deals the cards, announces hands and cues, and participates in the wordplay; she moves fluidly between the mechanics of the game and the conversational rhythm, then follows the group into …

C.J. deals the cards at the poker table, moves with the group into the Oval, and exchanges quick quips; she remains professional but relaxed until the agents arrive, when she …

C.J. transitions from dealing/cards to Oval-room participant; she observes, answers small talk, and defers to security directives while remaining alert to messaging and optics.

Enters from behind to rebuke Toby for yelling, then proceeds to Sam's office; later privately confesses to Sam that she's been 'faking' her understanding of the census and requests a …

C.J. approaches Sam, confesses she has been 'faking' her grasp of the census and the commerce bill, frames the confession with self-deprecating humor, and accepts Sam's practical offer of a …

C.J. intentionally lowers her professional defenses: she asks Sam, with humor and awkward humility, to teach her the census basics, sits in her office, confesses vulnerability, and frames the request …

Claudia (C.J.) moves from defensive banter to frank confession, admitting she lacks knowledge about the census and requesting instruction; she listens, asks clarifying questions, and registers Sam's framing as both …

C.J. sits through a patient, explanatory dialogue, asking direct questions to clarify the census debate. She moves from confusion and defensiveness to evident understanding and light humor, signaling a transition …

C.J. is in the briefing room receiving a technical explanation, testing her competence and deflecting condescension with wit; she pushes back when Sam teases her and then warmly accepts the …

C.J. banters at the table, notices the missing drink, moves toward the bar with Mallory to support Josh and Sam, and participates in crowd movement that helps present a united …

C.J. stands and moves behind Josh and Sam toward the bar, balancing a scolding tone with practical urgency; her presence signals staff-level containment and public-relations awareness in addition to personal …

Enters, takes direction from Bartlet to deal cards, jokes about newfound knowledge of the census, and participates in light reparative banter to steady the room.

C.J. enters boasting she 'knows everything' about the census, then visibly fails Bartlet's simple question — comedic overreach that exposes the learning curve and punctures triumphalism with humility.

C.J. pivots instantly from fashion-focused banter to rapid intake and synthesis of three crises; she listens, asks clarifying questions, grimaces, and verbally summarizes the incoming emergencies for the room, attempting …

C.J. opens the press exchange with practiced, image‑first patter about gowns, shoes and jewelry, then is physically led away by Josh into the hallway where she rapidly pivots from fashion …

Listens and participates minimally in practical questions (e.g., wardrobe for truckers' meeting) while staying ready to translate operational facts into public messaging.

C.J. (Claudia Jean Cregg) moves in quickly to retrieve something from the President, deflects a reporter's question with a short, authoritative line, and ducks out to preserve the staged photo‑op.

Manages the room, calls on the next group, asserts she'll handle the vermeil issue at the briefing — deflecting immediate escalation while signaling control over the messaging calendar.

Leading the press briefing, C.J. delivers art-history details, then abruptly reframes the vermeil centerpieces as evidence of historical brutality; she exits to the hallway and engages Danny in a pointed, …

C.J. concludes a briefing reframing vermeil centerpieces as symbols of oppression, walks out, meets Danny in the hallway, confronts him sharply about amplifying a tiny protest, and responds to his …

C.J. approaches the First Lady in full evening dress, conducts a rapid reputational triage about the vermeil, relays that she 'spoke to Peggy,' and accepts Abbey's theatrical framing while smiling …

C.J. performs dual roles: social lubricant and media sentry. She greets the First Lady, shepherds introductions, raises the vermeil question and smiles through polite banter while scanning for PR risk.

C.J. holds and presents satellite photos, interprets the imagery aloud, and frames the discovery — a fleet of ships trapped in the hurricane's new path — translating technical data into …

C.J. is physically holding and showing the printed satellite photos, explaining that the storm has reversed and that a fleet is in the path; she supplies the visual evidence and …

C.J. is at her desk typing on her laptop when Danny enters; she snaps between professional triage and personal deflection, orders a statement in fifteen minutes, and returns to typing …

C.J. stands conversationally with Mrs. Landingham, quickly recalibrating from private curiosity to professional skepticism—asking confirming questions about the bill's status and courteously allowing the President his moment while grounding the …

C.J. is at her computer when Danny arrives; she moves through polite corrections into firm deflection, parsing grammar, refusing both on‑the‑record confirmation and off‑the‑record concession, and rebuffing Danny's personal advances …

C.J. intercepts Sam in the hallway, asks pointed, work‑focused questions about a possible leak concerning the President and Hoynes, then departs after asking to be informed—professional, investigative, and efficient in …

Sits in Leo's chair asking pointedly about a rumor Danny Concannon is circulating; presses for source and explanation, then stands and leaves when Leo refuses to answer, carrying the pressure …

Raises Danny Concannon's question to Leo, presses for explanation, attempts to perform press management but is cut off and ordered to 'deal with it,' then exits to execute that instruction.

C.J. opens the scene by pressing Leo about a possible leak involving the President and Hoynes, asks what she should do, receives Leo's terse instruction 'Deal with it,' then stands …

C.J. intercepts Hoynes in the hallway immediately after his public appearance, directly questions him about cabinet meeting details and how Danny learned them, presses for containment, then stands still and …

C.J. delivers guarded, practiced answers in the briefing, then exits and immediately pivots to operational mode — instructing Bonnie to locate Toby while deflecting Danny's insinuations with clipped humor and …

As White House Press Secretary, C.J. conducts the briefing, deflects a direct question on the land‑use rider, walks into the hallway, deflects Danny's probing with banter and clipped orders, and …

C.J. stands at Toby's door, calmly trying to broker between Mandy and Toby: she identifies Danny as the leak risk, proposes giving him an interview slot with the President as …

C.J. appears at the door, listens, and attempts to broker a pragmatic solution. She proposes the trade of presidential time to appease Danny; she judges that she cannot talk Josh …

C.J. arrives quietly, sits beside Danny, opens the confrontation gently, then shifts to blunt, panicked managerial action—threatening to fire the staffer and offering presidential access as a bribe to stop …

C.J. enters the Oval, delivers a controlled correction that names Mildred as the source of the cabinet‑meeting leak, and manages the conversational tone to contain fallout while protecting the administration's …

C.J. listens on a second phone line, erupts in celebration with Josh, runs screaming into the bullpen to spread the news, exchanges hugs and plays the excited public face of …

C.J. erupts with joy and immediately becomes part of the euphoria, hugging and shouting before moving to assist in rollout readiness; she relishes the win but follows directives about press …

Press conduit and emotional foil: cheers the victory, is assigned press discipline (no leaks), flirts lightly with Toby’s intensity, and stands by as rollout obligations are parceled out.

C.J. meets Danny's gambit with cool, practiced refusal—refusing to confirm the nominee, rebuffing the date, then physically moving behind the portable podium, gathering papers and reasserting the professional frame for …

C.J. paces along the Supreme Court steps, answering Danny's flirtatious probes with clipped, professional parries; she preserves White House silence, refuses to confirm rumors, and directs the emotional tenor by …

C.J. paces and parries Danny's questions with practiced lightness, deflecting speculation about Crouch and the President while preparing to transition from banter to official engagement as the principals approach.

Standing directly in front of the television, C.J. is focused, watching Lillienfield's live remarks and responding with a single, controlled line — 'Tell him I'm watching' — signaling professional containment …

C.J. immediately frames the political calculus: she refuses a categorical denial, quantifies institutional risk using staff numbers, and articulates the communication trap that will force contradictory follow‑ups if they lie.

C.J. functions as the conscience of credibility — she refuses Josh's advice to lie, frames the practical danger of a blanket denial, and uses media experience to argue for cautious, …

C.J. refuses to speculate to reporters and insists on seeing the Lillienfield material before commenting, deliberately delaying public messaging and prioritizing verification over immediate soundbites.

C.J. acknowledges the Lillienfield story exists and defers immediate comment, asking to see the material before briefing; she then removes herself to prepare a public-line, keeping the President out of …

Leads a controlled press briefing, uses the legally weighted term 'subpoena' as a defensive rhetorical line, then exits to the hallway where she feigns composure while admitting she misplaced her …

C.J. delivers a guarded public line invoking 'subpoena', then exits the podium, walks into the hallway, and engages briefly with Danny about her missing notebook and the rhetorical risk of …

C.J. reads newspapers, reacts to the absurdity of Danny's gift, laughs aloud, takes the fishbowl from him, kisses Danny on the cheek, and briefly releases tension while returning her attention …

Receives a handshake from Mendoza and participates in the applause; as Press Secretary, her handshake is both personal and performative, framing the nominee for the media present or arriving.

C.J. trades light banter about pageant choices, then immediately halts and turns when Ginger identifies the caller as the D.C. police; she shifts from conversational to alert, watching Toby for …

C.J. moves from banter to managerial mode—telling Donnie to tell security she's on her way—then is publicly identified over the radio by her codename. She is physically halted and visibly …

C.J. pivots from a procedural itinerary to deliver blunt clinical details about Lowell Lydell's injuries, then lashes out rhetorically at the idea of post‑hoc political grandstanding, restoring control while expressing …

Leads and stages the school visit, cues the children, whispers to the President off-mic to pass along logistical or sensitive information, and supports the pivot back to the public program …

C.J. marshals the children's questions, whispers to the President before the interruption, and after the news she affirms Bartlet's orders with a discreet 'Yeah', moving to preserve the staged flow …

C.J. intercepts Sam in the hallway and defends immediate, moral action on hate‑crimes legislation; she registers visible indignation about being labeled 'Flamingo' and exits to 'talk to someone', leaving a …

C.J. moves from passing papers to shutting down Danny's flirtation with brisk sarcasm, naming her Secret Service codename and then immediately pursuing Sam to interrogate him about evening plans, shifting …

C.J. moves from routine staff interaction into rapid social triage: she deflects Danny's flirtation with sarcasm, reveals her code name as a joke, notices Sam slip by, follows, and presses …

C.J. stands leaning on her desk, mock‑reading a prepared list of reasons workplace romance is problematic, then reacts with amused reproach to Danny's gift and sits to continue the conversation …

Leaning against her desk, she moves from playfulness (reading her list, ripping open a tiny gift) into a pitched moral argument: she names the killing in vivid terms, broadens it …

C.J. opens the scene arguing passionately for hate‑crimes legislation, framing it as moral necessity and good politics; she participates in the exchange until Leo signals she should leave, then departs …

C.J. closes the briefing, then deliberately pulls Danny aside and layers flirtation over a policy question, using ambiguity to force a public-seeming answer while retaining control; she exits after issuing …

C.J. observes the Mural Room montage with staff; her presence signals press awareness and the administration’s communicative frame watching a private act take on public meaning.

C.J. arrives, immediately assessing media control needs ('Can I tell the room there's a full lid?') and preparing to shut down public access, signaling rapid press-management protocols.

Takes the podium, announces a Treasury briefing to impose a 'full lid,' directly challenges Bruce's Pentagon claim with dismissive questions, cites recent Oval Office presence to bolster authority, and forces …

C.J. arrives already exposed (she denied the rumor publicly), reacts with stunned anger and professional embarrassment, presses for facts, and accepts the instruction to brief the press despite resentment at …

C.J. arrives already aware she has been publicly undermined; she presses for facts, recounts having denied the story on air, and reacts with visible humiliation and anger while taking Leo's …

C.J. interrupts and physically rejects the useless packet, insisting on a real, usable briefing and signaling she will take control of the narrative flow.

C.J. is not physically present in the corridor but is the clear object of Toby's intended action; she is discussed as a professional whose competence might be insulted by unsolicited …

C.J. is actively reviewing press releases, confronts Toby with righteous anger and wounded professional fear, accuses colleagues of setting her up, and repeatedly frames the exchange around her damaged credibility …

C.J. is on the phone, then pivots to directly confront Toby; she forces an apology, demands ownership, sits beside him on the couch and interrogates his decision to withhold information, …

C.J. meets Josh in the hallway with a pointed remark about Toby's apology, signaling she is monitoring loyalties and message discipline; she engages in the hallway exchange before following Josh …

Claudia Jean Cregg arrives with Josh and Toby, forming the operational front; her presence signals press-management priorities and a transition from private talk to organized response.

C.J. stands with Josh and Toby, ready to transition the private confrontation into press‑management mode; her presence signals immediate concern for optics and briefing readiness.

C.J. is in the room as part of the senior team; she listens to the revelation and is implicitly put on notice about an impending media narrative she will have …

C.J. stands with the group in Leo's office, absorbing Josh's report and Leo's confirmations; she represents the press-management perspective, mentally cataloguing implications for briefings and public reaction.

Enters with the senior staff and listens; as press secretary, she registers the political and diplomatic news and readies herself (silently) for managing the story and press logistics that will …

C.J. enters with senior staff and listens as Marbury and the President exchange information; she is present as part of the administration's communications core, absorbing the new timeline and its …

Watches the President from the sidelines, presses him to take medication and to be transparent about his intake, and cries out for a doctor when he is found collapsed; mixes …

C.J. watches the rehearsal with professional concern, presses the President to take medication, exchanges terse personal banter with staff, then instantly shifts to command mode after the collapse, ordering 'Get …

C.J. watches the monitor, moves from nervous banter to direct admonishment about taking pills, presses Bartlet for his health in the hallway, and issues the first medical instruction after the …

C.J. enters, immediately reasserts control over her office with curt greetings and pointed questions, brusquely orders Danny out, displays dry sarcasm when provoked by Mandy, then pivots to professional urgency …

C.J. arrives to find Mandy and Danny, makes a dry joke about the fish, is then delivered Mandy's blunt report about Leo. She immediately sheds small talk, registers the administrative …

C.J. enters, asks direct questions about the President, informs Leo that the story is already on the Internet, and offers to coordinate a preemptive press strategy—moving the private exchange into …

C.J. enters Leo's office, immediately triages the situation, asks pointed questions about the President and the First Lady, announces the story is already online, pushes for a preemptive message, and …

C.J. monitors language and messaging, warns against saying 'A.A.' explicitly and registers surprise when Leo refuses to answer location and frequency questions; she sits on the couch, poised to shape …

C.J. engages in banter with Josh, watches the room with situational awareness, then locates Carol and calmly requests Danny be sent to her office — smiling in a way that …

Listens to Sam's confession, observes the kiss, then immediately pivots back to work—spots Carol and asks if Danny Concannon is in the Press Room, signaling a quick return to professional …

C.J. enters her office, frames her attraction as a tactical problem, proposes a single kiss to 'get past it,' briefly handles the fishbowl for comic cover, accepts Danny's embrace and …

C.J. enters her office, frames the interaction as a calculated experiment, initiates the idea of a single kiss to 'get past' her distraction, physically kisses Danny, takes Gail with her …

Leads the press briefing with practiced control, answers hostile and trivial questions, publicly guarantees the Lydell parents' attendance, and then receives Josh's report in her office where she processes its …

C.J. receives the report with a mix of weary humor and professional composure, asking direct questions about its findings and political implications, then defers immediate reaction by ordering food and …

C.J. is mid‑flirtation in her office when Danny delivers the leak; she pivots from banter to business, asking blunt questions and promising to 'find out about it', then uses a …

C.J. sits in her office using a stapled report as a professional shield, parries Danny's flirtation while absorbing a damaging leak, then impulsively grabs and kisses him — a private, …

C.J. sits on her office couch reading a sex-education report, absorbs Toby's briefings, reveals Danny's source, and emphatically denies leaking to the press, enforcing professional boundaries.

Sitting on her office couch reading a stapled report, C.J. receives Toby's items, answers with clipped, controlled responses, deflects suspicion about leaking, and signals immediate triage for the Zoey problem.

C.J. stands at the doorway, raises the sex‑education report and the Lydells' visit, presses for presentation strategy, and accepts Bartlet's instruction to wait until he's reviewed the report at day's …

C.J. confirms she'll meet the Lydells, presses the President about the Sex Education report's presentation, and accepts Bartlet's instruction to buy time and manage messaging and potential leaks.

C.J. enters the press room, probes whether the conversation is off the record, rebuffs Danny's flirtation, reframes the exchange toward policy/damage control, promises delayed information about the advance aide and …

C.J. initiates the exchange, shifts from teasing confidentiality to moral fury, names the facts of the hate crime, and then deliberately deflects Danny's follow-up about the VP advance man by …

C.J. begins in the Roosevelt Room listening, then rises and moves into the hallway with Carol to learn where the Lydells are; she swiftly switches focus from messaging to a …

Interrupts the Roosevelt Room exchange by moving into the hallway, receives the news that the grieving Lydells are waiting, and immediately issues a brisk order to Carol to find Mandy …

C.J. opens the meeting, frames the family's presence for the administration, directly questions their comfort being photographed, tries to contain Jonathan's anger with measured language, then withdraws to the hallway …

C.J. withdraws from the meeting with Mandy, closes the door behind them, and engages in a conflicted, defensive negotiation—trying to reconcile empathy for the grieving parents with her responsibilities to …

C.J. arrives from the threshold, interrupts the heated exchange with an off‑room update, physically knocks before entering, and delivers the game‑changing news that Josh and Sam cut a deal, defusing …

C.J. stands at the doorway, businesslike and composed; she asks if Toby wanted to see her, receives the news, responds with controlled relief, and functions as the conduit through whom …

C.J. enters assertively, presses the ethical obligation to publish the commissioned report, lays out its scientific findings, and reluctantly accepts the President's directive while registering private disappointment and moral unease.

C.J. makes the ethical and procedural case for publishing the report: she quotes the findings, insists on the White House's obligation, and presses the President on transparency. She pauses, accepts …

Sitting on the press room back steps, C.J. weighs tactical options aloud, probes Danny for cooperation, and ultimately uses flirtation and practiced banter to test boundaries before standing and re-entering …

Present indirectly via the television: her polished briefing plays as the public, managed explanation of resignations and absences, providing the official framing that contrasts with Leo's private confession.

C.J. forcefully rebukes the President, enumerating the flight's intrusions (fjords lecture, quizzes) and asserts personal/professional boundaries before climbing into the car; her language is sharp and performative.

C.J. responds angrily and vividly to Bartlet’s teasing, asserting boundaries and expressing travel exhaustion; she vocalizes her irritation before boarding the car and sneezes as they depart, signaling physical and …

C.J. moves through the communications hallway and authoritatively instructs Carol to compile biographical information on Simon Cruz, focusing on immediate, usable facts and spelling; she frames the action as operational, …

C.J. sits alone, examines a photograph of three children, dons her glasses, opens the briefing folder and reads the clinical execution timetable aloud; she confesses emotional ambivalence and registers visible …

C.J. sits at her desk, studies a photograph of children, opens the manila folder, puts on her reading glasses and aloud reads the clinical execution timetable, then quietly registers the …

Knocks and enters briefly to hand the President a small folded note — the execution-confirmation slip — then departs; her presence injects the cold, operational reality into the private sacrament.

Enters briefly, knocks, delivers a small folded note (execution confirmation) to the President, withdraws immediately—her single action crystallizes the immediacy of the procedural deadline and punctures any remaining illusion of …

C.J. waits for information, presses the room for facts, deflects blame humorously when Leo threatens to scapegoat the press contact, and prepares to manage the media consequences of the arrest …

C.J. waits in the office, asks pointed questions, registers the political implications aloud, and prepares to move with Sam — simultaneously defensive and ready to deflect reporters.

C.J. rehearses her bullet points, shows an index card to Toby, resists schedule changes, then admits to month-long dental pain and a noon appointment before retreating to her office to …

C.J. is invoked by Josh as the assigned instrument: she will deliver the scripted two o'clock apology briefing, positioning her as the on-camera professional who will both contain and smooth …

C.J. appears physically compromised — cheek swollen, speaking through dental packing — and repeatedly requests cancellation or reassignment of the briefing. She attempts pragmatic triage: names alternatives, warns Josh to …

Seated in her office, watching the live briefing on the monitor; absent from the podium because of a 'dental emergency', she becomes an object of substitution as Josh announces he …

C.J. is invoked as the comparative standard for briefing discipline; Josh claims he corrected a lack he attributes to her. She is not speaking in the scene but is publicly …

In C.J.'s office, watching the monitor; audibly reacts with 'Oh my God,' signaling alarm. Her physical stillness and vocal response mark a rapid recalibration from routine monitoring to urgent message …

C.J. utters a single, breathless reaction that breaks professional restraint; the sound functions as an alarm rather than dialogue, signaling recognition of mounting trouble and prompting urgency among unseen staff.

C.J. is physically cringing in her office, audibly exclaiming in pain; the short, involuntary line signals sudden incapacitation and professional embarrassment that interrupts her press duties.

C.J. groans and swallows painkillers, physically present but subdued; she watches or hears the broadcast passively, temporarily unable to marshal an active press response and thereby creating an operational gap.

C.J. groans and takes painkillers, physically sidelined by pain. She is present in the room but incapacitated enough that she cannot instantly respond to the provocative on‑air question, leaving the …

C.J. confronts Josh at his office doorway, loudly cataloguing his failings ('vague,' 'hostile,' 'belligerent'), bans him from future press appearances in a blunt, diagnostic tone, and verbally enumerates the damage …

Confronts Josh from the doorway with theatrical fury, cataloguing his failures with stinging language, denies him future access to the press room and demands accountability for breaking message discipline.

C.J. opens the exchange with a clipped, anxious line about briefing the President, trying to frame the communications need but tripping over nerves and being gently corrected by Toby, showing …

C.J. relays the awkward quote haltingly (mimicking Mendoza's lisp), urges that the President be briefed, and acts as the anxious communications intermediary trying to get language and timing right.

C.J. reports medically — succinctly stating swelling is down but painkillers have worn off — providing the factual human reason for the missed briefing and absorbing Josh's protective attention.

C.J. is present, recovering from emergency dental surgery, listens while being assigned the job of 'untangling the Press Corps' and accepts the order with professional calm despite physical discomfort.

C.J. answers medical questions, confirms she was unavailable to brief, accepts the President's order to 'untangle the Press Corps,' and is positioned as the operational lead to restore message discipline.

Greets the President formally, answers his question about the press with a dry, candid assessment that they are not in a good mood, and deflates Bartlet's theatrical line about 'racing …

Greets the President with a polite 'Good morning,' gives a deadpan assessment of the press's mood, and punctures the President's upbeat line with a reality check — exercising media-savvy candor …

Following the president into the cabin, C.J. is present and attentive though silent, positioned to monitor consequences for press and message; she absorbs the decision and prepares for fallout management.

C.J. accompanies the President onto the plane, present as a press and messaging anchor though she does not speak in this beat; her presence registers as ready counsel and public-facing …

Claudia 'C.J.' Cregg trades light, intimate beauty banter with Donna, shrugs off Josh's political warning, and immediately moves to action when Charlie reports the man approaching the cockpit.

Leads the light, intimate banter about skincare and sun protection, downplays the legislative threat, then shifts instantly to action when Charlie warns of a man approaching the cockpit.

C.J. participates in the banter, downplaying the Cameron threat initially, then reacts immediately to Charlie's operational warning by standing up and issuing the dramatic line demanding the President be stopped, …

C.J. walks up the narrow aisle, interrupts sleeping reporters and delivers a concise, controlled briefing that lists greeters, enforces a photos‑only rule, states departure time, and warns the team that …

Delivering an authoritative, compressed schedule as voiceover; C.J. frames the public timeline and establishes media-facing expectations while remaining offscreen, converting events into a briefing cadence.

Delivering a tightly controlled voiceover from within the motorcade; she names the day's itinerary with crisp economy, turning logistics into narrative stakes and steering how staff and viewers will interpret …

C.J. delivers a tightly controlled voiceover outside the Sheraton, announcing the fundraiser, dictating dress and access rules, and layering sardonic local color — all in a tone that is both …

Offers a short, principled line ('People respect a President who stands by the courage of his convictions.'), acting as a public‑messaging counterweight to Al’s raw numbers pitch.

C.J. tries to find rhetorical cover for the President ('People respect a President who stands by the courage of his convictions'), offering a public‑facing argument against Al's numbers while acknowledging …

C.J. stands at the bottom of the stairwell, exchanges flippant banter with Toby, tolerates Mark's approach, politely rebuffs the vague job pitch, and then uses the President's needs as a …

C.J. approaches Jay and Veronica, politely thanks Jay for not lampooning Leo, offers an open favor in half-joke tone, laughs at Jay's quip, then abruptly spots Sam and shifts from …

C.J. moves through the party with practiced ease, shepherding Jay into a quiet exchange and then pivoting back to staff business, joining Toby and Sam at the table and signaling …

C.J. arrives with Toby, hears Joey's teardown, registers its political value (and a flirtatious side-comment earlier), then moves on — her presence underscores the social-political overlap of the fundraiser.

Stationed at the press‑room podium, C.J. begins with a measured condolence, attempts to control the frame, lists acceptable candidates, then is visibly caught off‑guard by Danny's wire claim and shifts …

C.J. stands at the podium trying to manage a solemn institutional message, then is blindsided by Danny's wire citation; she visibly flinches, searches for cover, and slips into cautious, evasive …

C.J. exits the briefing room, immediately locates a wire report on her desk and intercepts Sam in the lobby doorway, posing a pointed question about Abbey’s publicly stated preference and …

C.J. attempts a procedural press fix—asking permission to speak to the First Lady to clarify the wire story—only to be shut down by Bartlet, who refuses White House control over …

C.J. interrupts the sell session by knocking on the window and delivering urgent news of a wire-service story about the First Lady. She queries sources, pushes for clarity about who …

C.J. Cregg interrupts the meeting by knocking and delivering a concise breaking report: a wire linking the First Lady to Ron Ehrlich and naming Lilly as a source contact. She …

C.J. greets Danny briefly then shifts to Sam, telling him she informed the President about the wire story and relaying the President’s terse instruction that the First Lady should not …

C.J. arrives, cuts off Danny's attempt at conversational entry, then intercepts Sam and delivers the critical line from the President about not wanting the First Lady 'handled', revealing both her …

C.J. is offstage/audible in the adjoining room performing 'The Jackal,' her brassy cabaret number creating a celebratory din that intrudes on the conversation and underscores the tonal collision between party …

Not physically present in the room but audibly present through a brassy performance in the adjoining room — her act provides a noisy counterpoint that undercuts and highlights the seriousness …

C.J. is not in the foreground but her performance in the next room provides the noisy celebratory backdrop; staff reference her planned lip‑synch of 'The Jackal' as ambient distraction and …

C.J. is the named cause of the interruption—her live cabaret performance functions offstage as a magnetic institutional event that redirects staff attention and enforces public ritual.

C.J. takes center stage in the press room, pantomiming and lip‑synching the backing track of 'The Jackal' to break tension; she controls tempo, elicits applause, and sustains the group's emotional …

C.J. is center stage in the room, pantomiming and lip‑synching with relish to 'The Jackal,' using the performance to channel and amplify the group's communal joy while letting the music …

C.J. moves from playful celebration — humming and dancing to 'The Jackal' — to quick professional containment: she sips champagne, puts on her scarf, responds to Danny's report with measured …

C.J. moves from playful celebration to immediate professional triage: she sips champagne, dons her scarf, receives Danny's report, gives a clipped, searching question about Arbor lineage, physically soothes Danny briefly, …

C.J. opens the scene in the hallway rehearsing damage‑control language about the President and his daughter, insisting the story be kept small and testing messaging with Carol.

Runs a concise, practiced damage-control rehearsal in the hallway and C.J.'s office, instructing Carol on exact phrasing and tone to make the story read as a non-event.

C.J. receives Charlie's report while working at her laptop, instantly reframes the threat (labeling Drumm a 'professional Bartlet baiter'), issues an order to see Danny, and uses a wry Porsche …

C.J. approaches Danny, asks about Drumm's contact with Zoey, recognizes the political implication of the quoted exchange, and deliberately defuses Danny's teasing with a compliment to regain control of the …

C.J. receives Zoey, moves from polite to incisive questioning, identifies Edgar Drumm by name, challenges Zoey's account repeatedly, accuses her of lying, and singles out the physical evidence — David …

C.J. moves from papers to couch, closes the door with Carol's help, and shifts into interviewer/interrogator mode — naming Edgar Drumm, calling out the contradiction in Zoey's statements, and directly …

C.J. arrives after the briefing, politely but insistently requests specifics about Zoey's contact with David Arbor, presses the line between urgency and protocol, accepts Gina's refusal with visible frustration, and …

C.J. arrives mid‑afterbriefing seeking facts about Zoey's contact with a reporter (David Arbor), pressing Gina for details as Press Secretary; when denied, she accepts the refusal but listens as Gina …

Interrupts the argument with urgent field reporting that Edgar Drumm ambushed Zoey; conveys what Zoey said about David Arbor; hesitates about withholding the story but accepts Sam's blunt counsel; privately …

C.J. interrupts Sam and Mallory's debate, delivers the alert about Edgar Drumm ambushing Zoey, and attempts to manage the immediate panic while acknowledging the political chain of consequence.

C.J. arrives, delivers the bad news succinctly, immediately interprets the political stakes, and forcefully restrains the President; she outlines a containment strategy, forbids a public confrontation, and insists on keeping …

C.J. delivers decisive, disciplined damage-control: she informs the President that Zoey lied, frames the event as a press problem not a family emergency, forbids him from going to the briefing …

C.J. moves between offices and into the corridor, quickly converting the weather spat into a broader media problem by reporting that a gaggle reporter (Dave Trillin) asked about a 'piece …

C.J. interrupts the weather argument with operational direction — move it inside — then drops the more corrosive detail: at the gaggle a reporter asked about a 'piece of paper' …

C.J. asks pointedly about a mysterious 'piece of paper' circulating, signaling her press-sense and concern for leaks; she then follows the President into the auditorium and remains alert to optics …

C.J. is present among the staff and participates in the surrounding chatter; she listens and later pivots to another staff problem, remaining professionally alert to the new political opening but …

C.J. starts the scene in control—light, joking, and steering the briefing—then moves into quick, quiet questioning of Steve about the rumor; her composure dissolves into anger and betrayal when Mandy …

C.J. opens with polished charm at the podium, then interrupts her own easing of the room to chase a rumor. She directly questions staff, presses for facts, and storms out …

Emerges from the briefing room, immediately triages information: confirms logistical numbers, asks after Josh's whereabouts, directs Donna to summon him, and conducts a quick on‑the‑spot verification with Carol about the …

C.J. intercepts the envelope, questions Mandy concisely about ownership, takes control of the situation, instructs Mandy to leave and not answer questions, and announces she will read the document immediately.

C.J. listens in horror, supplies the crucial context (that Mandy's memo is an 'instruction manual for Russell'), mobilizes to talk to staff, and insists on quiet, immediate outreach before leaving …

C.J. moves between crisis management and information triage: she delivers the diagnosis ('Mandy wrote... it's out there somewhere'), claims she's contacting sources, instructs outreach in the room, and then exits …

Mentioned by Toby as 'finding out' about the leak; absent physically but positioned as the staffer who will translate the leak into press strategy and messaging consequences.

C.J. is not present but is explicitly named as the person who is 'about to find out' about the memo; she is therefore an immediately affected party whose upcoming reaction …

C.J. enters the empty press room, searches for a private answer from Danny, uses friendship and professional authority to attempt damage control, asks pointed questions, and ultimately concedes when Danny …

C.J. bursts in with forward momentum and delivers Mandy's memo to the President, doing the administrative and media-facing work that ensures private memos become public pressure; her entrance accelerates the …

C.J. delivers news that the President is reading Mandy's memo and that Danny will publish it; she functions as the operational connector between press and Oval and drops the detonating …

C.J. circulates through the crowded press area, deflects direct questions with charm, delivers a series of scripted teases about the President, physically brushes past Danny to signal a private confirmation, …

C.J. is the on‑the‑record defender of the administration, taking the podium under pressure, offering legalistic defenses, invoking history, and finally admitting—half in jest, half in embarrassment—that they "forgot" to notify …

C.J. fields Katie's tough question, minimizes the substance by calling it symbolic, ends the briefing, and delegates follow-up access through Carol — then gives a pointed glance at Danny before …

C.J. physically intercepts Mandy as she enters and briskly ushers her out of the Oval, prioritizing control of the room and immediate optics over social niceties.

C.J. immediately reads the room and physically intercepts Mandy, hustling her out to contain the disruption and protect message discipline; she makes the exclusion public and deliberate.

C.J. adopts a calm, controlled demeanour, delivers Leo's decision bluntly, reframes the memo as a breach of trust, warns Mandy about how furious others are, and instructs her to stay …

C.J. arrives breathless into the lobby with a correction: she confesses a press gaffe about the President's nominations, references the White House counsel, and seeks to remedy the mistake—shifting the …

C.J. arrives breathless and admits she mischaracterized the President's F.E.C. nominations, referencing the White House counsel; she seeks validation and instruction while signaling the problem to Josh and implicitly requesting …

C.J. is referenced as having misspoken at the briefing; her verbal error catalyzes the room's corrective strategy though she is not physically present in this beat.

C.J. enters Leo's office to consult him, receives his blunt reprimand about her press-room phrasing, follows him into the hallway, then is confronted by Danny; she shuts the door to …

Stands guarding the door initially, receives Leo's signal, and then executes the tactical decision to let the press into the room; prepares to launch the official briefing immediately after the …

C.J. stands guard at the press room door, receives Leo's cue, coordinates with Carol, and is positioned to begin the formal briefing once the press is admitted; she functions as …

Enters apologetic about a briefing gaffe, offers contrition and accepts the President's dismissal; stands by for direction and benefits from the President's public absolution of mistakes.

Enters to apologize for a prior briefing gaffe, speaks plainly and respectfully to the President, accepts Bartlet's quick absolution and exits — performing damage control and restoring procedural dignity.

C.J. enters, apologizes for a briefing gaffe, offers contrition in person; she is publicly forgiven and dismissed by Bartlet, restoring her professional standing and ending the matter.

C.J. defends the established polling instrument against linguistic nitpicking, cites the poll's proven track record, and reveals a tactical motive—leaking internals to media—making a pragmatic gamble to meet external deadlines.

C.J. defends the administration's framing, insists the memo is a routine thirty‑year template, accepts Bartlet's order to give a simple line to the press, and physically moves between Outer Oval …

C.J. is present indirectly via the briefing referenced and later heard on television; her public line about mandatory minimums frames the episode's policy urgency and is the factual anchor that …

C.J. is not physically present in the room but dominates the beat via television: she reframes the mandatory minimum sentencing guidelines as transparently racist, setting the public narrative while staffers …

Leads the briefing from the lectern, reframes sentencing policy as a racial and public‑health crisis, rebukes a planted tabloid charge, then moves into the hallway and her office to continue …

C.J. moves from public briefing into a private corridor, responds defensively to Danny, admits that staff quietly blame her, and immediately flips back into operational mode, issuing orders to Carol …

Leads a forceful public briefing defending administration drug policy, snaps at Danny in private, then abruptly pivots to urgent operational orders — demanding phone banks call and the poll be …

C.J. arrives, succinctly announces the press 'lid,' then challenges Leo about having told the President her forecast differed from what he reported; she frames it as 'a small thing' but …

C.J. arrives, delivers news crisply, insists the lid is on and then raises the starker point: Leo told the President a prediction different from hers. She presses the point briefly, …

C.J. enters, immediately reasserts managerial authority, demands focus, cites the 48‑hour polling window, scolds Josh for distracting female callers, and forces the room back to work.

C.J. functions as the operational center of the communications surge: defending the timing of the poll, absorbing the reputational hit from a tabloid exposure of Sam, arguing with Leo, and …

C.J. immediately traces the staged photo payment back to London Daily Mirror and pivots from poll-wrangling to crisis containment, marshaling rapid public messaging.

C.J. moves with controlled panic: she seizes the fabricated tabloid sheet, organizes immediate concealment, directs junior staff to corral reporters, and frames public messaging to blunt the ambush's impact.

C.J. is on the defensive but controlled: she ends a phone call, stands to meet Leo, and methodically recounts the investigative timeline—what Sam reported, her overnight verification, the photo's provenance, …

C.J. stands by the window, receives Josh's news, acknowledges the sealed delivery, and defends her expectation of a five‑point bump. She listens to Joey's warning as relayed through Josh, asserts …

C.J. stands at her window, describes the sealed envelope, answers Josh with clipped certainty, refuses paternal protection, and insists on the professional risk she has chosen rather than retreating to …

C.J. quietly enters the Oval carrying a sealed courier envelope, presents the top‑sheet results with clipped professionalism, admits she was wrong and smiles—the admission functions as the decisive reveal that …

C.J. enters quietly clutching a sealed envelope, crosses the room, and delivers the top‑sheet news — admitting she was wrong and announcing a nine‑point surge — then smiles, controlling the …

C.J. enters quietly holding a sealed courier envelope, delivers the top-sheet polling news with professional control, smiles at the favorable result, and thereby redirects the room's energy toward tactical conversation.

C.J. moves through the press room, plays a teasing game with Danny and then drops a tip about the Space Shuttle—deploying controlled disclosure to prepare the press while keeping sensitive …

Moves through the press room, deliberately intercepts Danny to offer him an exclusive tip as a personal favor, using privileged shuttle information as a bargaining chip framed with flirtatious, transactional …

Runs the press rehearsal logistics — tells the President the town‑hall will be broadcast on MSNBC, describes staging (moderator, pitcher, glass), and follows the President onto the stage; her controlled, …

C.J. is running the town‑hall rehearsal logistics, confirms stage props, then receives Bartlet's shuttle aside and validates a humorous term ('astro‑newts'), signaling both professionalism and empathy.

C.J. responds as the communications conscience: asks direct questions about the pilot, the rescue, and warns repeatedly about inevitable media exposure and political consequences from CNN footage.

C.J. receives the briefing, immediately notes the political and media consequences, pushes back about past deception, and absorbs Leo's justification while preparing to marshal a public briefing.

C.J. enters flanked by military officers, reads a measured but grave statement about the downed F‑117, fields shouted questions, deflects operational specifics, and redirects to diplomacy while calling on named …

C.J. enters the briefing room with military officers, reads a measured statement about the downed F‑117, fields shouted questions, deflects speculation on rescue operations, and closes by calling on a …

C.J. listens in the rehearsal, offers brief, businesslike responses earlier, and is present when the signal is proposed — an anchoring presence for press and optics though she speaks little …

C.J. stands at the podium, delivers a controlled but revealing set of admissions about radar tracking and foreign notification, then decisively ends the briefing and exits while reporters call after …

C.J. succinctly delivers operational details, fields pointed questions, and then ends the briefing abruptly, physically exiting as reporters shout and cameras press; she prioritizes schedule and referral to the Pentagon …

C.J. moves from light teasing in the hallway to firm, controlled confrontation in her office, defending a deliberate lie as a tactical necessity while maintaining professional poise and even flirtatious …

Claudia Jean Cregg firmly defends a deliberate misdirection to a furious reporter, articulating operational necessity, refusing to apologize, and using a flirtatious aside to puncture anger before exiting at Carol's …

In the press area she physically shepherds reporters away from the stage, hits Danny lightly to get him moving, and issues the brisk order 'Follow me' to reassert control over …

C.J. moves through the press area, taps Danny in the back of the head and physically pulls him aside with a curt, authoritative 'Follow me,' both deflecting questions and reasserting …

C.J. is bumped and brought down amid the scramble; startled and vulnerable, she is temporarily incapacitated as agents and staff are shoved into limos and the crowd scatters.

C.J. is standing beside Sam when an agent knocks into her; she is brought to the ground amid shattered glass while responding to the chaotic protective movements.

Standing near the gate next to Sam, C.J. is knocked into and brought to the ground by an agent during the scramble; she is tossed from a public-relations posture into …