Detectives Confront Data and Accuse Dixon Hill of Murder

On a gritty 1941 sidewalk, Picard, Data, and Whalen revel in the Holodeck's convincing period illusion, exchanging baseball trivia that highlights Data’s outsider status and literal interpretation. The moment darkens when Picard notices a newspaper headline announcing the murder of Jessica Bradley, a socialite who had warned him of danger. This discovery sours the playful immersion, underscoring the deadly stakes beneath the simulation’s surface. Suddenly, Detectives Bell and McNary arrive, with Bell aggressively interrogating Picard about his whereabouts during the murder. Bell’s suspicion and hostility toward Data’s unfamiliar presence amplify the tension, transforming their role-play into a menacing reality. This confrontation crystallizes the blurring line between illusion and actual peril, forcing Picard and his companions to confront a threatening new obstacle in their fight to survive the Holodeck trap.

Plot Beats

The narrative micro-steps within this event

1

Two police detectives, Bell and McNary, appear on scene; Bell directs a gruff warning at Data, scrutinizing his odd demeanor and origin, while Data naively takes Bell’s cryptic remarks literally.

tension rising to uneasy confrontation ['newsstand surroundings']

Who Was There

Characters present in this moment

6

Somber regret underlying a calm exterior, shifting to wary tension under interrogation pressure.

Picard stands at the intersection of illusion and harsh reality, initially enjoying the Holodeck's vibrant 1941 ambiance with Whalen and Data. He is drawn somberly to the newspaper headline about Jessica Bradley's murder, revealing his guilt and regret. Under Bell's aggressive interrogation, he remains composed yet guarded, exchanging terse dialogue that signals mounting tension.

Goals in this moment
  • Savor the nostalgic Holodeck experience with companions
  • Understand the implications of the murder headline
  • Maintain composure under Bell’s hostile questioning
  • Protect his crew and navigate the emerging threat
Active beliefs
  • The Holodeck illusion is fragile and can mask real danger
  • He bears responsibility for failing to protect Jessica Bradley
Character traits
composed reflective leadership guarded
Follow Jean-Luc Picard's journey

Calm and neutral, with cautious alertness in response to hostile scrutiny.

Data participates eagerly in baseball trivia with the news vendor, showcasing his encyclopedic knowledge and revealing his outsider status through literal interpretations. He reacts with logical curiosity to Bell's suspicious and hostile examination, maintaining calm but alert.

Goals in this moment
  • Engage authentically in the Holodeck period role-play
  • Bridge cultural knowledge gap with humans
  • Analyze Bell’s hostility objectively
  • Assist Picard and Whalen in an uncertain situation
Active beliefs
  • Human customs and trivia are data to be understood
  • Bell’s suspicion indicates growing danger
Character traits
logical curious neutral observant
Follow Data's journey

Buoyant enthusiasm turning to subdued somberness.

Whalen joyfully embraces the period illusion, sharing the moment's camaraderie and excitement. His mood shifts noticeably somber as he points out the newspaper headline about Jessica Bradley's murder, recognizing the moment's gravity and the breach between fantasy and reality.

Goals in this moment
  • Enjoy the immersive experience with Picard and Data
  • Provide emotional support to Picard upon discovering the murder headline
Active beliefs
  • The simulation offers a meaningful escape
  • Jessica Bradley is a fictional construct but her death carries narrative weight
Character traits
enthusiastic supportive empathetic
Follow Charles Whalen's journey

Lighthearted amusement tinged with skepticism and scorn.

Joe, the newsstand vendor, engages warmly yet skeptically with Picard and Data. His amusement shifts to scornful disbelief at Data’s baseball trivia knowledge. He acts as a grounding presence for the simulation’s period atmosphere and subtly foreshadows the alien nature of Data.

Goals in this moment
  • Maintain the illusion of the 1941 city
  • Engage customers with charm and local wit
  • Test Data’s oddities with humorous skepticism
Active beliefs
  • Data is an outsider not truly from this place
  • The newsstand is a social hub for local life
Character traits
friendly amused scornful streetwise
Follow Joe's journey

Belligerent and accusatory, harboring deep suspicion and territorial defensiveness.

Detective Bell bursts into the scene, his gruff and belligerent demeanor immediately imposing. He aggressively interrogates Picard about the murder of Jessica Bradley, suspiciously eyes Data as an alien presence, and escalates tension from playful role-play to threatening realism.

Goals in this moment
  • Extract confession or information from Picard
  • Assert control over the situation
  • Identify and neutralize perceived threats including Data
Active beliefs
  • Picard (Dixon Hill) is involved in the murder
  • Data is an unknown and potentially dangerous outsider
Character traits
hostile suspicious belligerent authoritative
Follow Detective Bell's journey

Resigned sympathy mixed with professional detachment.

Lieutenant McNary arrives with Bell, displaying sympathy toward Picard despite the unfolding hostility. He attempts to moderate Bell’s aggression and supports the interrogation with a resigned professionalism.

Goals in this moment
  • Protect Picard when possible
  • Support law enforcement procedures
  • Maintain order amidst tension
Active beliefs
  • Picard might be innocent or at least deserves fair treatment
  • Bell’s aggressive tactics are necessary but harsh
Character traits
sympathetic cautious resigned supportive
Follow Lieutenant McNary's journey

Objects Involved

Significant items in this scene

1
1941 San Francisco Newspaper

The 1941 San Francisco Newspaper serves as the pivotal narrative trigger in this event. Picard picks up the paper, reading the headline about the murder of Jessica Bradley, which shatters the lighthearted illusion and introduces real stakes. The newspaper grounds the scene in historical authenticity and acts as a clue linking the fictional simulation to a deadly reality.

Before: Displayed on the newsstand, freshly printed and accessible …
After: In Picard's possession as he contemplates the murder …
Before: Displayed on the newsstand, freshly printed and accessible to customers.
After: In Picard's possession as he contemplates the murder headline, marking a tonal shift in the scene.

Location Details

Places and their significance in this event

2
Joe's News and Magazines Newsstand

Joe's News and Magazines newsstand serves as a neutral ground for initial friendly exchanges and baseball trivia between Picard, Data, Whalen, and the vendor Joe. This location anchors the scene’s authenticity while becoming the focal point for the discovery of the murder headline and the subsequent police intrusion.

Atmosphere Casual, familiar, shifting to uneasy tension.
Function Social hub and narrative pivot where illusion fractures.
Symbolism Embodies the everyday normalcy that is pierced by violence and suspicion.
Access Public vendor stand accessible to all passersby.
Wooden frame stocked with period newspapers Joe’s engaging presence and banter Weathered surfaces catching city grime and light
Holodeck Three (USS Enterprise)

The gritty 1941 San Francisco sidewalk outside Joe's News and Magazines acts as the atmospheric stage for this event. It provides a richly authentic backdrop filled with ambient city noises and period details that initially support jovial interaction but quickly become a crucible for tension and confrontation as the police arrive.

Atmosphere Initially nostalgic and lively, shifting rapidly to tense and menacing as hostility erupts.
Function Stage for public confrontation where fantasy collapses into peril.
Symbolism Represents the fragile boundary between illusion and grim reality.
Access Open public sidewalk within the simulation, unrestricted access to pedestrians and characters.
Motorized urban city block sounds filling the air Flickering street lamps casting shadows Backdrop of period-dressed pedestrians and newsstand activity

Narrative Connections

How this event relates to others in the story

What led here 4
Escalation

"Jessica Bradley's murder headline precipitates the police accusing Picard of murder, escalating tension from mystery to direct conflict within the Holodeck."

Immersion and Tension: The 1941 San Francisco Illusion Frays
S1E13 · The Big Goodbye
Escalation

"Jessica Bradley's murder headline precipitates the police accusing Picard of murder, escalating tension from mystery to direct conflict within the Holodeck."

Tension Explodes: Picard Accused of Jessica Bradley’s Murder
S1E13 · The Big Goodbye
Thematic Parallel

"Jessica Bradley's initial plea for protection and later murder headline reflect the shift from perceived safety to deadly threat, highlighting the blurring line between illusion and reality."

Secretary Mocks Picard’s Suit and Summons Jessica Bradley
S1E13 · The Big Goodbye
Thematic Parallel

"Jessica Bradley's initial plea for protection and later murder headline reflect the shift from perceived safety to deadly threat, highlighting the blurring line between illusion and reality."

Picard Meets Jessica Bradley and Accepts Her Dangerous Plea
S1E13 · The Big Goodbye
What this causes 2
Escalation

"Jessica Bradley's murder headline precipitates the police accusing Picard of murder, escalating tension from mystery to direct conflict within the Holodeck."

Immersion and Tension: The 1941 San Francisco Illusion Frays
S1E13 · The Big Goodbye
Escalation

"Jessica Bradley's murder headline precipitates the police accusing Picard of murder, escalating tension from mystery to direct conflict within the Holodeck."

Tension Explodes: Picard Accused of Jessica Bradley’s Murder
S1E13 · The Big Goodbye

Key Dialogue

"VENDOR: "Hey Dix! How's tricks?""
"DATA: "DiMaggio. Joltin' Joe, the Yankee clipper.""
"BELL: "Wherever you're from, while you're in my town, keep your nose clean.""
"BELL: "Well, tough guy, this time you've really done it. Your goose is cooked, but good.""
"BELL: "Where were you last night between ten and midnight?""
"PICARD: "That would be a bit hard to explain.""
"BELL: "Yeah? Well you'll have plenty of time to come up with something. You're goin' downtown.""
"PICARD: "What for?""
"BELL: "For the murder of Jessica Bradley.""