Fabula
S1E13 · The Big Goodbye

Leech’s Intrusive Arrival Disrupts Dixon Hill’s Solace

Within the meticulously crafted illusion of Dixon Hill’s office, Picard savors the authenticity of the Holodeck’s noir world, engaging in a charged exchange with Jessica Bradley that deepens his immersion. As Jessica departs, Picard contemplates the vibrant city sounds outside the window, embodying a fragile mental refuge amid mounting pressures. This quiet moment is shattered when an unexpected knock precedes the unsettling entrance of Felix Leech, whose confused, nasal voice and intrusive presence fracture the illusion. The event marks a crucial tonal and narrative shift, signaling that the simulation’s veneer is cracking and that darker, more dangerous forces are encroaching, threatening both Picard’s escape and the precarious balance between fantasy and reality.

Plot Beats

The narrative micro-steps within this event

1

Leech enters the empty office, looking confused and calling out, signaling an unexpected presence and foreshadowing sinister developments.

emptiness to unease

Who Was There

Characters present in this moment

3

Enthralled by the immersive fantasy yet aware of underlying tensions; momentarily serene but bracing for impending disturbance.

Picard, fully inhabiting his Dixon Hill persona, engages tenderly yet professionally with Jessica, accepting her retainer and contemplating the vividness of the Holodeck's illusion. He briefly retreats to the window for a reflective moment, absorbing city noises as a mental refuge, before preparing to exit. His calm is disrupted by Leech’s knocking, signaling an unwelcome intrusion.

Goals in this moment
  • Establish trust with Jessica Bradley to gain access to the mystery.
  • Savor and mentally inhabit the Holodeck noir world as a refuge from external pressures.
Active beliefs
  • The Holodeck simulation offers a believable and valuable alternate reality.
  • Jessica’s plea and retainer indicate genuine stakes within the narrative to be pursued.
Character traits
contemplative engaged guarded curious resolute
Follow Jean-Luc Picard's journey

Apprehensive about her safety yet resolute to enlist Dixon Hill’s help, masking anxiety with charm.

Jessica Bradley exudes a blend of fear and calculated seduction, entrusting Picard with a cryptic case and sealing their engagement with a tender kiss and a cash retainer, then departs with a cool confidence that belies her underlying vulnerability.

Goals in this moment
  • Secure Picard’s investigative assistance for protection against unknown threats.
  • Establish a transactional bond with Picard to ensure loyalty.
Active beliefs
  • She is under threat from powerful, unknown enemies.
  • Picard (as Dixon Hill) is capable and trustworthy enough to help solve her problem.
Character traits
fearful sly seductive determined manipulative
Follow Jessica Bradley's journey

Anxious and disoriented but determined to force engagement, projecting urgency and threat.

Felix Leech arrives unexpectedly, knocking delicately yet insistently on the office door, then enters with confusion and nasal speech, his presence shattering the illusion and signaling a dangerous disruption to Picard’s fragile sanctuary.

Goals in this moment
  • Gain access to the office and confront Picard.
  • Insert himself disruptively into the narrative reality of the Holodeck simulation.
Active beliefs
  • He must act immediately to achieve his aims.
  • The office and its occupant are key to solving or obstructing the mystery.
Character traits
confused insistent intrusive unsettling paranoid
Follow Felix Leech's journey

Objects Involved

Significant items in this scene

2
Jessica Bradley's One-Hundred Dollar Bill

The crisp one-hundred dollar bill serves as a physical retainer Jessica hands to Picard, symbolizing trust and formalizing their investigative engagement. It marks a transactional shift from fantasy to a narrative with stakes, anchoring Picard’s reluctant commitment.

Before: In Jessica Bradley’s possession, folded and ready to …
After: Transferred into Picard’s possession on his desk, representing …
Before: In Jessica Bradley’s possession, folded and ready to offer.
After: Transferred into Picard’s possession on his desk, representing a pending investigative contract.
Dixon Hill's Business Cards

One of Dixon Hill’s business cards is taken by Jessica as a tangible token linking Picard’s detective persona to the unfolding mystery, reinforcing the role-play and the professional relationship emerging.

Before: Resting on Dixon Hill’s desk within the Holodeck …
After: In Jessica Bradley’s possession as a signifier of …
Before: Resting on Dixon Hill’s desk within the Holodeck office.
After: In Jessica Bradley’s possession as a signifier of their alliance.

Location Details

Places and their significance in this event

1
Dixon Hill's Office Hallway

Dixon Hill’s Office is the atmospheric, film-noir styled stage where the event unfolds, offering a richly textured illusion that draws Picard into a deeper immersion. It facilitates the charged exchange between Picard and Jessica and becomes the threshold breached by Leech's intrusion, symbolizing the fragility of fantasy and the encroachment of danger.

Atmosphere Shadowed, tense yet temporarily intimate; charged with noir glamour and growing unease as the door …
Function Meeting place for the initiation of the investigative plot and refuge for Picard’s mental escape, …
Symbolism Represents the fragile boundary between illusion and reality, a sanctuary threatened by darker forces.
Access Nominally private office accessible only to Dixon Hill (Picard) and his clients; breached unexpectedly by …
Sounds of distant city traffic and honking horns heard through open window Dimly lit with vintage décor consistent with 1940s noir aesthetic

Narrative Connections

How this event relates to others in the story

No narrative connections mapped yet

This event is currently isolated in the narrative graph


Key Dialogue

"JESSICA: "Perhaps Cyrus Redblock.""
"JESSICA: "Here's a C-note in advance. Consider it a retainer... and next time, could you wear a suit?""
"LEECH: "Not yet, please --""
"PICARD: "You'll have to call again. I'm just leaving. I'm not dressed properly. I'll be back.""