Yanar

Presented as a trembling exhibit by Debin, Yanar's bowed head and visible pregnancy visually corroborate accusations while her silence amplifies pathos. Her body language suggests conflicting emotions about being weaponized.

Yanar is presented by her father as evidence of Okona's betrayal, visibly tearful and pregnant. Her presence adds a deeply personal dimension to the conflict, transforming it from a legal …

Shows signs of recent distress with reddened eyes, clutches belly protectively when presented as living proof of Okona's alleged crimes while pointedly avoiding eye contact with Benzan.

Physically displayed by Debin as living proof of Okona's misconduct, her visible pregnancy and tearful demeanor silently amplifying her father's accusations without verbal contribution.

Yanar, initially presented as Okona’s victim, asserts agency by accepting his proposal—only to reveal her secret love for Benzan when he finally confesses. Her emotional turmoil gives way to resolution.

Yanar initially accepts Okona's proposal out of anger at Benzan's hesitation before reluctantly admitting her true feelings when persuaded.

Transitions from apparent victim to assertive agent of her own fate, oscillating between anger at Benzan's delay and acknowledgment of their love.

Transforms from passive victim to assertive agent, weaponizing Okona's proposal to provoke Benzan's confession while wrestling with resentment over his delayed declaration of love.

Initially plays along with Okona's proposal to provoke Benzan, then passionately defends her right to choose while navigating complex emotional revelations about her pregnancy and Benzan's delayed declaration.

Yanar initially plays along with Okona's proposal to provoke Benzan, then angrily resists both suitors before finally admitting her love when Okona appeals to her true feelings, demonstrating her agency …