Marion Ravenwood

Marion bursts through the back door, angrily clears the bar of patrons, physically confronts and punches Indy, bargains bitterly about her father's collection, accepts five thousand dollars as down payment …

Marion bursts behind the bar, clears the saloon with force, strikes Indy, exposes raw grief over her father's death, drives a hard negotiation for the bronze sun piece, accepts cash …

Bursts in to stop a fight, clears the saloon with force, confronts Indy violently, reveals grief about her father's death, negotiates a price, demands cash as proof, kisses Indy, and …

Initially captive and terrified as Belzig threatens her with a glowing poker; when Indy intervenes she scrambles behind the bar, grabs Mahdlo's axe handle, strikes the Mongolian, and later seizes …

Marion removes the medallion from its chain, pockets Indy’s cash in a small wooden box, is seized and roughly handled by Belzig’s men, grabs an axe handle and fells the …

Marion quietly moves between the cash and medallion, slips Indy's bills into a wooden box, exposes the medallion on the bar, fakes conviviality with a whiskey, is violently lifted over …

Marion throws down an empty submachine gun, dives through smoke and burning debris to the ruined box, digs through charred remains with scorched fingers and retrieves the hot sun-medallion, then …

Marion throws down an empty submachine gun, forces her way through flames to the ruined box, digs through ash, pulls the hot sun medallion from her blouse, brandishes a Baretta …

Marion reacts with unexpected delight when the monkey bows and kisses her cheek, taking it into her arms and speaking warmly; she visibly relaxes from prior wariness into childlike pleasure.

Marion carries Sallah's monkey on her shoulder, trades warm barbs with Indy, then reacts with visible disappointment and concern when the animal notices something and darts away; she calls after …

Marion walks alongside Indy, bonded with the monkey moments earlier but unaware that it has just saluted Nazi agents; she continues through the crowd as the Monkey Man ducks behind …

Marion walks beside Indy through the crowded lane, sharing his route and vulnerability; she is a co-subject of the surveillance but does not react to the exchanged signals in this …

Hesitates to abandon Indy despite the danger, then obeys his shouted orders and bolts between two buildings, becoming the immediate target of a pursuing thug and the released spy monkey.

Marion hesitates when Indy orders her to leave, torn between loyalty and self-preservation; she then runs between two buildings under pursuit, becoming the immediate object of the chase.

Marion runs the narrow alley, vaults the low wall, improvises by smashing an earthen pot onto a pursuer’s head, retreats into a shadowed alcove when the exit is blocked, climbs …

Marion runs the narrow alley, vaults the five‑foot wall ahead of her pursuer, appears from an alcove to deploy (or cause) the earthen pot to smash the thug's head, then …

Marion is implied to be concealed in a nearby hiding place; the monkey’s chattering and directed movement collapses her cover, turning a private refuge into a pinpointed target and leaving …

Marion is concealed and bound inside the huge rattan basket; she struggles, wedges the lid open an inch and shouts 'Indy-y-y-y!', converting silence into a public alarm and actively sabotaging …

Referenced only by a desperate off-screen cry and as the occupant of the fleeing basket; her alarm is the trigger that propels Indy's immediate reaction but she is not physically …

Marion is not seen in the alley but her scream is heard around the corner, immediately affecting Indy's priorities and turning the moment's focus from retribution to rescue.

Marion is trapped inside the large rattan basket, her panic audible as she screams while two thugs hurry her toward the waiting truck; she is physically confined and emotionally exposed …

Marion is not physically present on-screen in this beat but is the immediate object of Indy's call; her danger is the reason for Indy's lethal action and his shouted name …

Referenced indirectly as 'the girl' by Belloq; her involvement is the emotional core that torments Indy and motivates his violence, though she is absent from this exchange.

Mentioned by Indy as deceased; she functions as the emotional catalyst for Indy's grief and Sallah's consolations but is not physically present in the scene.

Mentioned by Indy as dead; Marion does not appear but her death is the emotional catalyst for the scene, referenced to frame Indy’s grief and drive the urgency behind the …

Bound to a chair and gagged when found; reacts with relief and anger during the reunion, confesses mistreatment and Belloq’s advances, pleads to be freed and screams when Indy refuses, …

Marion is discovered bound and gagged, has the gag removed, kisses Indy, reports her rough treatment and the Frenchman's interest, pleads to be cut loose, becomes frantic and screams when …

Marion (the girl) is not present but is invoked as a tactical object—her prior possession of the medallion is used to justify coercion; she becomes the immediate target of the …

Marion sits bound and ungagged, terrified but defiant; she insists she knows nothing and frames herself as Jones's victim to blunt interrogation and curry sympathy.

Gagged and roughly held by Belzig and another Nazi; her gag is removed in full view, a small ritual that exposes and humiliates her while removing her voice and agency.

Marion is shoved into the pit, screams, is caught by Indy, clings to him in terror, waves a torch at snakes, is placed inside a ring of burning oil for …

Marion falls into the chamber, clings to Indy, is placed inside Indy’s ring of fire, waves a torch at approaching snakes, watches Indy’s actions with terror, and waits until Indy …

Follows Indy through cramped chambers, asks nervy questions about snakes and direction, screams when bats are flushed, flinches when grabbed, and looks to Indy for reassurance and guidance as fear …

Marion follows Indy's lead but is visibly fraying: she asks about snakes, screams at flushed bats, and physically startles when Indy grabs her, shifting immediately from scattered fear to tentative …

Moves among crates to the wing, surprises and incapacitates the pilot by bashing him with a blue wheel chock, climbs into the cockpit and struggles to pull the pilot off …

Marion moves between crates, appears on the wing, bashes the pilot with a blue chock, climbs into the cockpit trying to pull him off the throttle, and becomes trapped when …

Marion, equally soot-splotched, hides with Indy, embraces Sallah in relief, affirms their survival, asks about the Ark, and then follows the others as they run off stealthily toward the reported …

Hiding with Indy, soot-splattered and shaken; embraces Sallah with relief, answers his greeting, then moves off stealthily to follow the escape route toward the Ark's transport.

Tucked behind the water barrels, Marion exchanges a helpless look with Sallah, questions Indy's plan, receives his order to go to Cairo, reacts with incredulity and worry as Indy runs …

Marion returns Indy's embrace in the lit circle on the gangplank, appearing both relieved and emotionally engaged; her physical closeness communicates attachment and temporary surrender to tenderness before uncertainty resumes.

Marion appears through the connecting door in a prim white nightgown holding a half-full glass, teases Indy, drinks, acknowledges mutual salvation, resists fully closing past accounts, and ultimately shares a …

Marion appears from the adjoining cabin in a prim white nightgown with a half-full glass of liquor, teases Indy, drinks, accepts his apology only partially, asserts her own culpability, resists …

Marion wakes with a start on the cot, alone and alarmed; she vocalizes fear and confusion by asking 'What is it?' and remains in the cot as Indy prepares to …

Present on the bridge and addressed as 'the girl' by Katanga; startled by the revelation and ordered to disappear into the hold with Indy, presumably complying to avoid capture.

Marion is yanked from her cabin by two Nazis, kicking and yelling while still wearing a white nightgown; she struggles violently but is forcibly held and dragged into the deck …

Marion is seized by two Nazis as she kicks and screams, physically resisting their grip while still wearing a white nightgown; her struggle draws verbal abuse and rough handling from …

Marion is held by two guards, gripped by Belloq, and ushered away — physically transferred from one authority to another while remaining the object of bargaining between men.

Marion is physically held by Nazi soldiers and then taken by Belloq, who places a hand on her and ushers her away; she is the object of negotiation and is …

Marion, disheveled in a ripped, smudged nightgown, has just disembarked and is being led with the officers as part of the procession; her physical state marks trauma and exhaustion.

Has been forced ashore looking exhausted and disheveled; she follows the procession weakly while the Nazi officers speak and the Ark is moved.